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...George Gershwin of France's Second Empire was mutton-chop-whiskered Jacques Offenbach. Stuffy politicians, high-toned artists, bombastic literati winced at his satirical songs. All Paris, from the Empress Eugénie to the trollops of the Quartier Latin gobbled up his tunes as fast as they came. He wrote nearly 100 operettas, which drew delighted applause in every pleasure-loving city from St. Petersburg to New Orleans...

Author: /time Magazine | Title: Music: Operetta's Father | 4/11/1938 | See Source »

...three days Cairo's teeming population was tripled. To feed and clothe the visiting horde tons of mutton and beef were roasted and distributed in the city parks, untold galabiahs, the long cotton nightshirts which are the chief garments of the Egyptian fellaheen, were given away. Considering the excitement with which Egyptians approach such a simple problem as boarding a street car, it was a triumph for Cairo's police and details of the Egyptian Army that only 400 people fell from balconies, were trampled to death, pushed under cars, into the Nile, or otherwise injured...

Author: /time Magazine | Title: EGYPT: Queen Unique | 1/31/1938 | See Source »

...whitewashes it to suit the Hays office. As entertainment, it ranks in between. The screen play by John Van Druten & S. N. Behrman is literate but logy; John Stahl's direction is stately but pedestrian; Myrna Loy behaves as though she missed The Thin Man, and not even mutton chop whiskers and a turret-top collar can make Clark Gable look, sound or act like the uncrowned King of Ireland...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 14, 1937 | 6/14/1937 | See Source »

...week sent Administrator Steeg and his party to the scene of the hunger march, and voted $2,250,000 relief money to match $450,000 which the Banque d'Etat de Maroc has already put up to buy food for the starving tribes. Distribution of free barley and mutton has already started...

Author: /time Magazine | Title: FRANCE: Steeg v. Blue Men | 6/7/1937 | See Source »

Last week British journalists described Victoria Palace audiences as "bewildered" by what they saw. Through the gloomiest of blue lights on a Stygian-dark stage, behind a gauze curtain, Diane appeared and rolled her hips. The audience sat still as mutton. Diane, accustomed to Broadway's anticipatory outburst of clapping, was nonplussed but stuck to her strip-tease routine. The next move, she thought, would get them. Sinuously she let fall from her creamy shoulders a vast chiffon cape, then, striding rapidly to the wings, unsnapped her split skirt, showed a shapely thigh just before she disappeared. In vain...

Author: /time Magazine | Title: GREAT BRITAIN: Stripping & Unstripping | 4/19/1937 | See Source »

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