Word: mutuality
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Dates: during 1970-1979
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Trollope and his Pallisers were merely the vanguard of a Victorian invasion of the small U.S. screen. This week the Public Broadcasting Service begins a four-part series based on Charles Dickens' Hard Times. Another Dickens novel. Our Mutual Friend, will be presented on PBS next fall, and before the year is out the network plans a serialized biography of the author...
This breakthrough dramatically illustrates American technological superiority over the Russians. But it also poses difficult problems in arms control. The advances add one more complex variable to the equation of mutual deterrence. About 75% of the Soviets' 3,500 warheads are carried by land-based missiles that would be vulnerable to the Mk-12A (in contrast, more than 60% of the 8,500 American warheads are mounted on Poseidon and Polaris missiles in submarines). Understandably, the Soviet Union is concerned about the new American warheads. Last week Georgy Arbatov, head of Moscow's U.S.A. Institute, which analyzes American...
...come to Broadway. The Ethel Barrymore Theater has been invaded by the ripple of laughter, thoroughly beguiling tunes and saucily intelligent lyrics. The story line is as nonchalant as unrequited sin. It concerns a would-be ménage à quatre: two couples who want to plunge into liberated mutual sexuality but only manage to get their toes...
...venture, domiciled in Trenton, N.J., does not start out as a foursome. Wally (James Naughton), a public relations man with a sweet tooth for talk, exhorts his shy furniture-mover friend Alvin (Lenny Baker) to spice up his "mutual love experience" by moving an added woman into his marital chamber. Wally's personal idea of fulfillment is to appropriate Alvin's wife Cleo (Ilene Graff). Alvin, who sometimes makes Buster Keaton seem voluble, gulps, but broaches the proposal to Cleo...
...Mutual Jitters. Deciding to be scared together, Keaton and Allen set up housekeeping in New York City, and she went on to star in the movie version of Sam, as well as two subsequent Allen films, Sleeper and Love and Death. Aside from the mutual jitters, it was a case of opposites attracting: he was a stereotypical New Yorker and she was a model Southern Californian. "When I first met her," Allen remembers, "she was a real hayseed, the kind who would chew eight sticks of gum at a time. I talked to her on the phone once when...