Word: mutually
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Dates: during 1970-1979
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...couple's deadly secrets unveiled, Rattigan relies on a kind of question-and-answer man, a mutual American friend, Mark Walters (Martin Gabel), who has become rich writing sex novels, and who dotes on Lydia with unrequited love. Long noted for resonance of voice and clarity of diction, Gabel gets the messages across to the playgoers all right and he may qualify as the highest-paid facsimile of a Western Union boy in the history of the legitimate theater. To give Gabel's unclouded intelligence its due, the gravity of his mien is sometimes tinged with...
...also to meet the new President. In this case, however, there was scant hope that substantive issues would be settled in the two hours the two men spent together in Washington (see story page 48). Ford and Trudeau for the most part talked about the energy crisis and mutual trade problems...
Stagnant Growth Rate. Japan's traditional government by consensus, combined with Miki's instinctive caution, means that there will probably be few changes of policy under the new Premier. Miki is known to be pro-American and a supporter of the Japanese-American Mutual Security Treaty. He is also a longtime advocate of closer ties between Peking and Tokyo, and played a major role last year in shifting Japan from a neutral to a pro-Arab stance in the Middle East. His major problem, of course, will be to curb Japan's inflation (at more than...
...substitute for family stability, rock's other women band together for mutual support. They share warnings about lechers along the concert circuit. They also share back-up musicians and songs. Drummer Jim Keltner works for Muldaur, Waldman and Raitt. Raitt and Ronstadt compete for Songwriter Eric Kaz's tunes. It is a perfect situation for a catfight, but few take place. Says Ronstadt: "Jealousy cripples you faster than anything." But Muldaur adds, "Don't think I don't check out the pipes of every new chick singer...
There are no lovably honorable hoods wielding their gats for Michael, no warm family reunions or mutual aid meetings. His major enemy is a Meyer Lansky-modeled criminal mastermind, shrewdly played by Actors Studio Director Lee Strasberg (see box). As Michael plots his careful, lethal moves, the recurring, unforgettable image is of his eyes growing colder, until they finally go dead to the horrors around him. Those eyes somehow manage to dominate a film that is also rich in action. Not once does Pacino overtly ask for the audience's sympathy, but through a disciplined, suggestive performance he dominates...