Word: mutually
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Dates: during 1970-1979
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After fleeing prosecution on charges of masterminding a massive mutual-funds swindle and attempting to obstruct justice, Financier Robert Vesco has made himself about as accessible to newsmen as the Abominable Snowman. Thus it surprised the veteran journalists who had been trying to corner Vesco in his Costa Rican refuge that the first substantial interview with him appeared in the April 5 issue of the fledgling biweekly New Times-and was written by a novice, Neil Cullinan, a political science professor at Fort Valley State College in Georgia. Cullinan's coup was quickly matched by Washington Post Reporter Laurence...
...Vesco. The Government has charged that on April 10, 1972, Vesco made a secret contribution of $200,000 to Nixon's 1972 campaign, and that in return Mitchell and Stans tried to hinder an SEC investigation into Vesco's alleged massive looting of Investors Overseas Services, a mutual fund empire that he controlled...
...from the final SEC complaint. Cook said that he complied with Stans' request. On Nov. 27, 1972, without referring to the $250,000, the SEC charged Vesco and a number of his associates with committing a $224 million stock fraud by illegally manipulating their foreign-based mutual funds...
...recognize that neither can gain a permanent strategic advantage, either militarily or politically, anywhere." As Kissinger likes to stress, détente is not necessarily a love feast, but it is nothing at all if either side tries to turn it into a device for unilateral rather than mutual gain...
...particular, comes as a revelation. Augusto Giacometti seems to be one of the claimants to the honor of having produced the first deliberately abstract works of art. His wavy-edged pastel, Abstraction After a Stained-Glass Window in the Cluny Museum, dates from 1900, fully a decade before the mutual creation of abstract art by Larionov, Kupka, Kandinsky and Arthur Dove. Amiet's work, though less aggressively avantgarde, is also of more than parochial quality. After his early apprenticeship with Gauguin's disciples in the Pont-Aven group, he never lost his interest in broad, ripe patternings...