Word: mutuals
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...billion in foreign-aid funds, $500 million more than the budget-slashing Congress voted last year. Two-thirds of the total is tagged for military aid and defense support, one-third for economic aid. Along with his request for "the smallest amount we may wisely invest in mutual security," the President sent a strongly worded message defending...
Calm Focus. Shrewd and impenetrably affable, Dulles talked with calm realism. Let's get things in focus, was his theme. One and only one basic, unifying interest had brought members together: mutual defense against their Soviet Communist neighbor. Dulles argued that the U.S. could do more for the Baghdad nations by remaining outside the pact than by joining. The Baghdad Pact commits its members only to "cooperate for their security and defense." Under the Eisenhower Doctrine, Dulles pointed out, the U.S. is pledged to send its armed forces, on request, to the aid of any Middle East nation...
...changed. Even the stoutest private-power men feel that the program needs a strong infusion of Government aid because commercial nuclear power is so new, so complex and so costly that private companies cannot carry the burden alone. Says President Newton I. Steers Jr., of the Atomic Development Mutual Fund, Inc. (assets: $45 million), a onetime AEC official and longtime private-power advocate: "There isn't a reactor manufacturer in the U.S. who doesn't favor Government assistance to get them over the hump...
...Wladyslaw Gomulka's ruling Communists "to resurrect the energies of the nation" by trusting it with a "margin of freedom." To restore the "aim of life and joy in living" that might allay the "bitterness, nihilism, hooliganism and drunkenness" in the land, said Stomma, "confidence must be mutual-of people in authorities, but even more so of the authorities in the people. Only in this way can Polish society be united...
...dulled her cutting edge and brought pathos to the role. Judith Anderson played the mad. fatuous marquesa in a style that would have fit nicely into a theater but came a little floridly into the living room. Yet both actresses gave the show its finest moment: a fateful mutual-humility act when the marquesa, in a weepy, alcoholic glow transferred her fierce love for her daughter to the peasant actress. Only Eva Le Gallienne's abbess managed to imbue the production with some of the pretty metaphysics of the original. "We ourselves shall be loved for a while...