Word: mwamwayaã
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Dates: during 2009-2009
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...large, but The Very Best has the musical muscle to match. On the track, Mwamwaya spreads his bracing, multi-tracked vocals across the crisp, rollicking synths of Radioclit that would be equally at home in an ’80s pop hit. The song moves between the peaks of Mwamwaya??s choral cries and the hushed intimacy of the calming and repetitive beat, creating moving dynamics that keep it from becoming repetitive...
...unveil their westernized, hip-hop stylings on songs like “Angonde” and “Julia.” On “Angonde,” the sound expands, rolling with thick, pounding drums and a soft, insistently rhythmic, Arabian guitar. Here, Radioclit process Mwamwaya??s rich vocals with a vocoder, electrifying and stiffening his voice to levels well below the T-Pain and Imogen Heap side of the spectrum so he maintains some of his trademark warmth while providing the crisp, electric harmonies. Throughout the track, a lone, hopeful violin pours lethargically...
...Julia” successfully melds the repetitive synth-hooks and deep drums of modern hip-hop with Mwamwaya??s hundred-voice-harmonies. It is, however, too patterned for its own good and remains one of the less-engaging tracks on the album...
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