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After the show's first year, Robert G. Myhrum '48 became director and altered both the set and the production schedule...

Author: By Sarah E. Henrickson, CRIMSON STAFF WRITER | Title: HOW THEY GOT TO... | 6/1/1998 | See Source »

...Myhrum, well-known as an efficient director who maintained high standards, upped the production schedule from one to two shows per day, allowing for the current schedule of 130 hour-long shows per year...

Author: By Sarah E. Henrickson, CRIMSON STAFF WRITER | Title: HOW THEY GOT TO... | 6/1/1998 | See Source »

...Myhrum remained director for thirteen years before retiring...

Author: By Sarah E. Henrickson, CRIMSON STAFF WRITER | Title: HOW THEY GOT TO... | 6/1/1998 | See Source »

Another Harvard alum, Christopher B. Cerf'63, joined the staff as a composer at the same time as Myhrum. In addition to composing he was also in charge of choosing "products...

Author: By Sarah E. Henrickson, CRIMSON STAFF WRITER | Title: HOW THEY GOT TO... | 6/1/1998 | See Source »

...Cooney also admits that in Sesame Street's first year, "the children were too manipulated; the show was too tightly programmed to allow for surprises. Now, even if it means dropping a piece of animation, we are giving time for freer dialogue with the children." The new director, Bob Myhrum, has given the show a more spontaneous air; actors blow cues, the familiar street is full of passersby, the set now seems a real neighborhood caught in a state of dishabille...

Author: /time Magazine | Title: Television: Who's Afraid of Big, Bad TV? | 11/23/1970 | See Source »

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