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...breaks, and George Brent flounders around in ten feet of water, and on the whole it's one of the wettest movie-going evenings since "The Hurricane." But unlike "The Hurricane" it was a bit wet from the critical point of view, too. A cast headed by Myrna Loy and Tyrone Power has a right to expect a decent script with which to work. But 20th Century Fox let them down with the script of "The Rains Came." For instance: Brent to Loy, "It's exciting seeing you again." Loy to Brent, "May I have a cigarette?" A startling example...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 11/20/1939 | See Source »

...slick and typical a pack as ever cavorted through a Louis Bromfield serial in Cosmopolitan, after the rain they seem sadly washed out and anticlimactic. Chief among them are Tom Ransome (George Brent), a remittance man from a good county family, his old flame Lady Edwina Esketh (Myrna Loy), who deserted him to find a rich husband, and Major Safti (Tyrone Power), the handsome, high-caste Indian surgeon for whom Lady Esketh wickedly sets her cap. While trying to keep his friend Safti out of Lady Esketh's clutches, Ransome has his hands full with a stage-struck missionary...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 18, 1939 | 9/18/1939 | See Source »

Twentieth Century-Fox's ebullient Darryl Zanuck characteristically promised "at least five" $2,000,000 pictures: The Rains Came, with Tyrone Power, Myrna Loy, George Brent; Stanley and Livingstone; Little Old New York with Alice Faye; Brigham Young; Drums Along the Mohawk. Shirley Temple will do Lady Jane in Technicolor...

Author: /time Magazine | Title: Cinema: Menu | 5/29/1939 | See Source »

Lucky Night (Metro-Goldwyn-Mayer). Bad luck for Myrna Loy and Robert Taylor, gummed up in a sticky-silly version of the story about a couple who get acquainted, drunk, married...

Author: /time Magazine | Title: Cinema: Also Showing | 5/22/1939 | See Source »

...Lucky Night," with Myrna Loy and Robert Taylor, should be swallowed only with a stiff antidote of Jonathan Edwards' Sermons. This hangover from the screwball comedies of Carole Lombard would be otherwise too tough to take. A night of recklessness and a drunken marriage, with all the usual complications, results in just another telling,--and a too, too giddy one--of an old story. The plot has no excuse except as a vehicle for MGM's big stars, and if the picture is merely a planetarium, it very definitely needs more power in the projector. The film is nothing more...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 5/18/1939 | See Source »

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