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TIME: What was the origin of The Hurt Locker? Mark Boal: I wanted to do a story that explained why the war was not going well and that showed the logistical futility of the war. So in 2004 I pitched a story to my editors at Playboy to do a...

Author: /time Magazine | Title: Oscar Week: Hurt Locker Writer Mark Boal | 3/4/2010 | See Source »

MAL: The types of films I choose to produce are a little more complex and meaningful, not to make myself sound grandiose or anything. I definitely like to work on films that tell more complex human stories. Usually films that have some sort of social message to them, nothing overtly...

Author: By Stephanie M. Woo, CRIMSON STAFF WRITER | Title: 15 Questions with Mynette A. Louie ’97 | 3/4/2010 | See Source »

Zuma lashed out at his critics this week, telling South Africa's Star newspaper that the British were acting in the superior manner of a colonial master. "When the British came to our country, they said everything we are doing was barbaric, was wrong, inferior in whatever way," he said...

Author: /time Magazine | Title: South Africa's Zuma vs. the Media in London | 3/4/2010 | See Source »

That sounds like a surreal shifting of the gears. When did you see the final cut of An Education? The first time I watched it was three days before Sundance, actually. And I thought I was completely awful. I took my friend Zoe Kazan and her mom, and I was...

Author: /time Magazine | Title: Oscar Week: Best Actress Nominee Carey Mulligan | 3/3/2010 | See Source »

That down-to-earth attitude is the product of Kitano's working-class background. A childhood math whiz and boxer (embodying the combination of brains and brawn for which his films are famous), he dropped out of university, eventually becoming a comic and actor. He began directing films in 1989...

Author: /time Magazine | Title: Catch the Beat at Takeshi Kitano's Paris Show | 3/3/2010 | See Source »

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