Word: mythical
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Dates: during 1980-1989
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Along time ago, in a conference room far, far away . . . it was ordained that sword-and-sorcery movies would be the Next Big Thing. Just imagine crossing the fantasy worlds of J.R.R. Tolkien and George Lucas! Mythic reverberations! Megabucks! Didn't work. The crossbreeding produced curious offspring: the low- birth-weight Dragonslayer, the gnarled Krull, the sepulchral The Keep. Most 1980s moviegoers found the landscapes of these films too remote, the quests too familiar, the special effects too rudimentary--no laser blades here, just an endless arsenal of singing swords. Nor did the heroes and heroines of these chivalrous tales...
ADECEPTIVE SIDE of Harvard's much-vaunted cosmopolitan image is its failure to encourage the students who make up the mythic Diversity to speak out for their interests. Even as the guest list for Harvard's upcoming 350th bash is being completed, students have voiced complaints that the organizers failed to invite any minority performance groups such as Ballet Folklorico or the Black Kuumba Singers to the affair. The point is that students of minority backgrounds insist on being appreciated for their differences, not in spite of them...
...coincidence that Reagan emphasized the amount of private charitable givings made last year. American government should have very little to do with the poor according to Reagan's mythic view of the past...
...named Visa and MasterCharge, a misplaced Mormon, an abandoned rabbi, an African dictator, a welfare mother in double- digit pregnancies, a sniper, a man assembling a Chevy Nova in his living room, a 400-lb. dope dealer with an M.B.A., a family of Cambodians trying to farm their floorboards, mythic creatures known as the Nordic Ice Queen and the Madonna of Heat, and two ex-dancers who sell Tupperware...
...speaks in a tongue Will Shakespeare would not have recognized, inhabits a landscape unknown to the Bard, that of 16th century Japan. And Goneril, Regan and Cordelia are here men called Taro, Jiro and Saburo. We are obviously far from the place of this tragic tale's mythic birth and noble retelling, and we are far from the inert reverence of the typical movie adaptation of a classic. Indeed, in Ran (which means "chaos" in Japanese) we venture into a territory where the very word adaptation distorts and diminishes both intention and accomplishment. For what Akira Kurosawa has done...