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...first myth is that animal protection is the preserve of a white, liberal elite. Proposition Two’s opponents sought to paint the initiative as the concoction of confused urban do-gooders, and pointed to the support of prominent Hollywood stars like James Cromwell and Ellen DeGeneres as evidence. The opponents ran ads (funded by the nation’s largest agribusinesses) in which salt-of-the-earth farmers reminded blue collar workers that in lean economic times, they couldn’t afford to jeopardize their right to a cheap dozen pack of eggs...

Author: By Lewis E. Bollard | Title: The Animals’ Election | 11/6/2008 | See Source »

...second myth of animal protection is that animal and human welfare are necessarily in direct conflict. Proposition Two’s opponents, branding themselves as Californians for Safe Food, extenuated this conflict by casting cage-free agriculture as a risk to public health. Opposition television ads featured anxious-looking doctors fretting that moving to cage-free was venturing into the unknown...

Author: By Lewis E. Bollard | Title: The Animals’ Election | 11/6/2008 | See Source »

...third myth is that animal protection is a new and radical idea. Stalwarts of greyhound racing in Massachusetts sought to cast themselves as preservers of a historic sport, battling against animal rights extremists set on destroying tradition...

Author: By Lewis E. Bollard | Title: The Animals’ Election | 11/6/2008 | See Source »

...proven already, and beyond the shadow of doubt, that America is, in fact, ready for a black president—which, in actuality, is a veiled way of saying that white America is prepared to confront the myth of white supremacy,” he wrote in the letter...

Author: By Chelsea L. Shover, CRIMSON STAFF WRITER | Title: Blurring the Color Line? | 11/2/2008 | See Source »

...certain message about the candidate. Michael Dukakis riding the tank was supposed to show that he was a manly man for the military, not just a liberal Massachusetts sissy. George W. Bush’s frequent photographs in a cowboy hat tapped into the US’s cultural myth of the cowboy as a hero, as resourceful, as protecting, as the archetypal compassionate conservative. Sarah Palin needs no framing. She herself is the symbol. She is the photo-op. She was tapped for the ticket, not because of anything she has done necessarily, but in large part...

Author: By Sanders I. Bernstein | Title: They Called Her Photo Op Palin | 10/29/2008 | See Source »

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