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...Richardson ’09, and Molly M. Altenburg ’07, “Apollo” respectably matched the images of Balanchine’s originally epic scope. During the variations, Altenburg’s control and graceful extensions were especially noteworthy.The excerpt from Limón??s “Suite from A Choreographic Offering” lacked emotional connection with the audience until too far into the performance. It engaged the audience as passively as a painting; in fact its visual aesthetics of brightly colored unitards and swiftly moving figures were reminiscent...
...angsty.” After a passionate defense of the power of God, supported by an N*Sync sing-along, the metaphorical train jumped its tracks to bring the point home. Quach, on God as compared to West Coast fast food chain In ‘N?? Out’s “Animal Style” burger: “[God] is my burger to end all burgers. I just want you guys to taste it.” Yeah...
...night, Bunagan’s Mather House group went to Rock ‘n?? Bowl, a club with cult popularity. Alongside fellow volunteers from other schools, they bowled right next to the bar. The following morning, as usual, they worked on homes in the Ninth Ward, helping to bring hope to a place that needed it too much...
...stage, and I so filled in for them,” he explains. Soon Eskenazi was touring with the group in Japan, Germany, Great Britain, and even on the Craig Kilborn Show, as a permanent member. “In Japan and the UK they absolutely love rock n?? roll,” he says. “On stage you do one guitar hero move and they just lose it, and that’s the way it’s supposed to be.” “It was insane...
...Managing Director of the Súgán Theatre Company, which was founded 14 years ago to present contemporary Irish plays to the Boston audience. “We felt there was a real gap,” O’Reilly says. The Súgán??s plays often portray the diverse perspectives of modern Ireland and challenge more traditional notions—presenting Ireland as more than just the magical, cheerful Emerald Isle...