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...side man,” a journeyman musician in the heyday of the big band who plays backup to the headline stars. His story serves as a eulogy for the jazz era which faded with the onset of rock ‘n?? roll. On a more intimate level, Side Man also explores the way that Gene’s passion for jazz rules and ultimately ruins his personal life. Infused with wry humor, the Tony-award winning show demonstrates that the life of a professional artist is never simple: music is at once Gene?...
...nothing catches on like the angelic Kweller yelling the chorus: “She is a slut but her ex thinks its sexy / Sex reminds her of eating spaghetti / I’m wasted but I’m ready.” Other rock ‘n?? roll numbers were equally energetic, while Kweller’s solos, like “Panamanian Girl,” added a dash of appealing melancholy to the otherwise goofy evening...
Koski-Karell joins Morange at the table, and they pour their seasonal ale, “Coq ’n?? Camel.” It has pumpkin and a variety of other flavors, they explain. From the start, however, what the judges notice is not the spices but the potency. “It’s strong!” DeBisschop exclaims, and laughs...
...seven years later, Detroit native Eminem, n??e Marshall Mathers III, is outselling artists like Nelly and Jay-Z by millions of records—and polishing five Grammy statuettes in his spare time. Tomorrow’s opening of 8 Mile, the fictionalized biopic of the rapper’s early career, signifies the next step of his campaign for cultural relevance and cross-media domination...
...bona-fide pioneer. As the DJ behind such culture-defining parties as Future and Land of Oz at London superclub Heaven, Oakenfold was once at rave music’s very forefront. His production work on the Happy Mondays’ Pills ‘n?? Thrills and Bellyaches foresaw Ecstasy culture’s invasion of pop art, and his genre-hopping 1994 Goa Mix broke boundaries. Let no one question the man’s reputation; he’s paid his dues...