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...Vladimir Nabokov, in the end an American novelist, always included himself in the mainstream of this self-contained, self-sustaining Russian tradition. He may well have been the last great participant in the conversation, so who better to hear on the subject of Russian literature...

Author: By Christopher S. Wood, | Title: Taking Revenge Against Raskolnikov | 1/11/1982 | See Source »

This was the rationale behind the recent publication of Nabokov's college lectures on Russian literature. Volume One of these notes, last year's Christmas special, dealt with English, French, and German masterpieces. It turns out that Nabokov knew a great deal more about Russian literature than about any other. Certainly he is more comfortable in this second volume. He is still, as always, petulant, self-indulgent, and pompous, and since Nabokov insists upon his own status in the Pantheon of literature--which was not so obvious when he was writing these lectures--he has made a conspicuous target...

Author: By Christopher S. Wood, | Title: Taking Revenge Against Raskolnikov | 1/11/1982 | See Source »

...Nabokov's original audiences were undergraduates at Wellesley and Cornell in the 1940s and 1950s. He had sojourned in England and Germany before moving to America in 1940. He began to write in English and taught college literature courses (including a seminar at Harvard) for a living. The extraordinary success of Lolita in 1958 allowed him to retire from the world...

Author: By Christopher S. Wood, | Title: Taking Revenge Against Raskolnikov | 1/11/1982 | See Source »

...volumes of lectures reveal a method and manner of teaching almost as fascinating as the content. It is amusing to see a famous novelist insisting upon numbered seats, cracking jokes about life in Ithaca or working out grading formulas. Nabokov's usual procedure is to introduce each novelist with a few choice and highly opinionated general comments, and then turn to the text and tackle it almost word by word. Not afraid to rank his favorites, 1-2-3, he is equally unafraid to slander his least favorites...

Author: By Christopher S. Wood, | Title: Taking Revenge Against Raskolnikov | 1/11/1982 | See Source »

Only occasionally will Nabokov descend to biography or history or philosophy. Great art, says he, is sufficient unto itself. Nabokov is interested in words: what they sound like, and how they can be arranged. With words, the artist creates his own imaginary world, a world without values, ideas, or social relevance. For Nabokov, literature is a detective game: The reader tries of solve the word code and enter the imaginary world. Nabokov describes the sensual pleasure he finds in art: a certain tingling feeling in the spinal cord, he says. His cowering pupils are told over and over again that...

Author: By Christopher S. Wood, | Title: Taking Revenge Against Raskolnikov | 1/11/1982 | See Source »

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