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...NABOKOV-WILSON LETTERS: 1940-1971 Edited by Simon Karlinsky Harper & Row; 346 pages...

Author: /time Magazine | Title: Books: Chain Mail | 6/18/1979 | See Source »

Bunny was Edmund Wilson, the great comparativist from Red Bank, N.J., who foraged ravenously through history, politics, sociology and at least half a dozen acquired languages to give U.S. literary studies an international style. Volodya was Vladimir Nabokov, the great taxonomist of loss from St. Petersburg, Russia, who chased memories of a dispersed culture over two continents and became one of the foremost novelists of the century...

Author: /time Magazine | Title: Books: Chain Mail | 6/18/1979 | See Source »

...shortly after Nabokov arrived in New York with his wife and young son. Nabokov had fled Hitler's Europe with little money and few possessions. Even his reputation as the literary star of the Russian emigration was left behind. Wilson did his best to import it. He talked up Nabokov, found him reviewing assignments, advised him about publishers and warned him that puns did not go over with American editors...

Author: /time Magazine | Title: Books: Chain Mail | 6/18/1979 | See Source »

...Nabokov's high spirits and intellectual playfulness were both amusing and rankling to Wilson. The American's ideas about important literature leaned more toward social and political content than art for art's sake. Nabokov demurred, but his answer was not frivolous: "The longer I live the more I become convinced that the only thing that matters in literature is the (more or less irrational) shamanstvo of a book, i.e., that the good writer is first of all an enchanter...

Author: /time Magazine | Title: Books: Chain Mail | 6/18/1979 | See Source »

Fiction within fiction is an old form, predating Chaucer, Boccaccio and perhaps even Scheherazade, who provided the first law of storytelling: enchant or perish. Author Wain seems familiar with the rewards and risks of laminating two tales. Wain may not achieve the iridescences of Vladimir Nabokov, modern master of the technique, but he moves from one story to the other without draining color from either. One reason is Giles' ability to regard himself as a character. His comments when both he and his fictional doppelgänger love and lose: "He had been able to contemplate the story...

Author: /time Magazine | Title: Books: Aprille Fools | 4/2/1979 | See Source »

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