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...reader has to be in literary training to follow Mosley's hopscotch course. He is one of a number of writers, the best of them Nabokov, whose subject is often the nature of creativity itself. What fictional furniture there is seems of secondary importance, to be moved around at will. Tony seems negligent and disillusioned. He is married to Elizabeth, whom he "likes," but his only real involvement is an obsessive affair with Natalia Jones, the wife of another M.P. On the face of it Natalia seems a routine bitch. Her jealousy, her suicide threats, her retreat...

Author: /time Magazine | Title: Books: Heavenly Bodies | 10/4/1971 | See Source »

Copulation of Clichés. Director John G. Avildsen directs his actors in the same manner that a red light may be said to direct patrons. No matter. Pornography is customarily, in Nabokov's fine phrase, a copulation of clichés. Not here. Garfield takes this insanely, inanely plotted movie and lends each scene a Rabelaisian gusto and surprise. His movements are reminiscent of the hippopotamus in rutting season; his expressions are unique. Who else could register such dismay when he finds that he has been making love to a corpse? Who else could transmit such concern...

Author: /time Magazine | Title: Cinema: Wild Blue Yonder | 9/20/1971 | See Source »

...some ways, this is not surprising. Wilson has always been cantankerous, picking fights with his cultural neighbors (Vladimir Nabokov, for example, over obscure points of Russian prosody) and the Government (a $69,000 misunderstanding with the Internal Revenue Service, after his failure to file tax returns for nine years, erupted into a book-length tirade). When he chooses to talk on any subject, from the Dead Sea Scrolls to Iroquois ritual, listeners must simply sit patiently until he stops. Gossip delights him. In recent years he seems to have spent much of his time whittling on 19th century regional fiction...

Author: /time Magazine | Title: Books: Goodbye to All That | 9/13/1971 | See Source »

...trio of compulsive polyglots, Samuel Beckett (equally fluent in English and French), Vladimir Nabokov (a writer in Russian, English, French and possibly German) and Jorge Luis Borges (whose first work at seven was an English summary of Greek myths) are the men whom Steiner judges to be "the three figures of probable genius in contemporary fiction." Joyce teaching at his Berlitz school he takes as the prototypical modern artist, master of the "lost center." a practitioner of the "literature of exile...

Author: /time Magazine | Title: Books: Babel Revisited | 7/26/1971 | See Source »

...Vladimir Nabokov called it "posh-lost," a Russian term he translates as "crude pseudo literature." Thomas Mann called it Death in Venice, perhaps the most celebrated novella of the 20th century...

Author: /time Magazine | Title: Cinema: Soul Destroyed | 7/5/1971 | See Source »

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