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Word: nacht (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...nberg: Verklärte Nacht" (St. Louis Symphony Orchestra, Vladimir Golschmann conducting; Victor, 8 sides). A melodic tone poem for strings, written before Schönberg got lost in dissonances. Performance: good. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Sep. 3, 1945 | 9/3/1945 | See Source »

...style is a little heavy in spots, but the necessary power and brilliance are there. The best of this new album of his is, of course, the "Tristan" excerpt. It's that wonderful scene where Tristan, knowing he is going to die, invites Isolde to follow him into "dasdunkel nacht'ge Land, daraus die Mutter einst mich sandt," and Melchior renders it with the perfect shade of dusky "Weltschmerz...

Author: By Robert W. Flint, | Title: THE MUSIC BOX | 8/5/1942 | See Source »

...Berge's Violin Concer-to bring to this country for the first time in permanent form two of the greatest works by two of the greatest modern composers. For those who have known Schoenberg only through an early work--the mawkish puddle of Post-Romantic sentimentality known as Verklarte Nacht--the recording of Peirrot Lunaire demands a re-estimation of his true greatness--and weakness...

Author: By Jonas Barish, | Title: THE MUSIC BOX | 10/24/1941 | See Source »

...although harmonically Pierrot stands on the threshold of a brave new world, in spirit it takes its source from the work of Mahler. It is Post-Romantic, not as Verklarte Nacht is Post-Romantic, a jumble of Wagnerian cliches; but as Das Lied von der Erdeis Post-Romantic, lamenting a dying culture. The formal resemblance between Pierrot and Das Lied (they are both song cycles) goes deeper than mere coincidence. It links together in a fundamental way two works essentially decadent--where structural unity has been replaced by a series of separate emotional patterns, where the medium is over-refined...

Author: By Jonas Barish, | Title: THE MUSIC BOX | 10/24/1941 | See Source »

...arts and sciences must be purified. No more need peaceful, respectable persons listen to the barbaric, Hunnish melodies of Brahms, Bach, Beethoven Mozart, Mendelssohn, Wagner, Schubert, Strauss; no more need our ears be offended at Christmas time by the hellish notes of Stille Nacht, the voice of Schumann-Heink; no more of the militaristic preachings of Schiller, Goethe, Luther...

Author: /time Magazine | Title: Letters, Nov. 18, 1940 | 11/18/1940 | See Source »

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