Word: nagisa
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...most barbaric. Western directors like Alain Resnais (Hiroshima mon amour) and Steven Spielberg (who will achieve a Japanese trilogy if he ever adds the long-deferred Memoirs of a Geisha to 1941 and Empire of the Sun) have joined such local masters as Akira Kurosawa, Yasujiro Ozu and Nagisa Oshima in trying to define the bold, elusive Japanese psyche...
...This notion of two against the world often recurs in the Japanese films that have won international acclaim. Nagisa Oshima's 1976 In the Realm of the Senses was banned and cheered for its explicit portrayal of a sadomasochistic affair; the lovers found sexual pleasure in pain, even to the point of mutilation and death...
...nearly as many countries as the rubberized Hollywood star. Takeshi pages pock the Worldwide Web, in Spanish, French, English, Dutch, German, Italian, Polish. His international admirers, seeing him churn out nine films in 11 years as actor-auteur?and perhaps catching him as an actor in art films (Nagisa Oshima's Gohatto), nihilist teen epics (Kinji Fukasaku's Battle Royale) and a Hollywood thriller (the Keanu Reeves Johnny Mnemonic)?may not know that films are a kind of hobby for Kitano. How could he have time to do anything else? But of course he does: he's on TV nearly...
...which, he has written, "the body enters a state of perfect balance. Buto belongs both to life and to death. It is a realization of the distance between a human being and the unknown." Like other artists working from within a conception of Japanese modernism-the film director Nagisa Oshima, the designer Issey Miyake-Amagatsu is obsessed with redefinition. Buto, at its point of origin in the social and artistic turmoil of the '60s, was brooding, even brutal, full of images of apocalypse. It was revolutionary, but by the time Amagatsu began his work with Sankai Juku...
...superb erotic melodrama In the Realm of the Senses (1976), Japanese Writer-Director Nagisa Oshima is portraying-for Western viewers and his own Westernized countrymen-the social compulsions that once made Japan unique, and uniquely feared. In the earlier film, a prostitute and the husband of a brothel owner become casual lovers and then, following the logic of exclusive devotion, swoon into a passion whose fulfillment is violent death. In Merry Christmas, the viewer is thrown al once into the sadomasochistic excess of Oriental machismo. Here, every gesture of discipline, compassion, rage and honor is expressed by the blade...