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MERRY CHRISTMAS, MR. LAWRENCE Directed by Nagisa Oshima Written by Nagisa Oshima and Paul Mayersberg

Author: /time Magazine | Title: Cinema: Stout Hearts | 9/12/1983 | See Source »

Shohei Imamura's The Ballad of Narayama and Nagisa Oshima's Merry Christmas Mr. Lawrence are both expected to earn their distributors about $4 million. So is The Makioka Sisters, directed by Kon Ichikawa from Junichiro Tanizaki's novel about an upper-class family just before World War II. Masaki Kobayashi's Tokyo Saiban, a grueling, 41/2-hour documentary of the Tokyo war-crimes trials, is a surprise success that should earn rental fees of $ 1.6 million...

Author: /time Magazine | Title: Cinema: Summer Hits | 8/1/1983 | See Source »

...only the second time since 1954, the top prize at the Cannes Film Festival went to a Japanese film: Shohei Imamura's The Ballad of Narayama, an elemental and unsentimentahzed portrait of Japan's mountain people in the 1880s. The same festival also showcased Nagisa Oshima's Merry Christmas Mr. Lawrence, a P.O.W. melodrama set in Java in 1942 starring David Bowie and two popular Japanese performers, Singer-Songwriter Ryuichi Sakamoto and the TV comic Takeshi. Merry Christmas Mr. Lawrence is scheduled to open this fall in New York as the spearhead of an Oshima retrospective...

Author: /time Magazine | Title: Cinema: Stirrings amid Stagnation | 8/1/1983 | See Source »

...sound of Bowie picking up the pieces. They didn't quite fit yet, although the title track and Ashes to Ashes were two of his best songs. Let's Dance has all the consolidation and much of the restless peace that Bowie has been searching for. Says Japan's Nagisa Oshima, who directed Bowie in his upcoming film, Merry Christmas, Mr. Lawrence: "Let's Dance gives the impression that David really is free." This kind of freedom carries certain risks of its own, such as looking like a bisected square. "It's hard...

Author: /time Magazine | Title: David Bowie Rockets Onward | 7/18/1983 | See Source »

...festival did try to add a touch of spice, which seems to have become de rigueur since Bertolucci's Last Tango in Paris stirred things up four years ago. But this year's offering, In the Realm of the Senses, directed by Japan's Nagisa Oshima, was impounded by U.S. customs officials after they viewed it at a press screening. Nobody seemed to mind much, which probably had less to do with indifference to civil liberties than with general embarrassment over the quality of the film. In the Realm of the Senses is like the customs...

Author: /time Magazine | Title: Cinema: More a Famine than a Festival | 10/25/1976 | See Source »

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