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...filmmakers include Kate Davis, Alyson Denny, Tina Rathborne, Peggy Stern, Lisa Shaw, Martha Swetzoff and Mira Nair, director of the award-winning Salaam Bombay...

Author: By Kelly A. Matthews, | Title: University Plans Spring Arts Programs | 2/1/1989 | See Source »

That was my first impression of the Bombay that Mira Nair decided to chronicle in Salaam Bombay...

Author: By Ross G. Forman, | Title: Coming of Age in Bombay | 11/10/1988 | See Source »

Directed by Mira Nair...

Author: By Ross G. Forman, | Title: Coming of Age in Bombay | 11/10/1988 | See Source »

...Nair did. She and her film crew shot Bombay on location, searching for--and probably exaggerating--the bustling, seedy world. Her film is a somber tale, not a documentary, but the sort of muckraking that appeals to anyone with a "social conscience." It's the next best thing to being there--only better, because the audience does not have to deal with the consequences...

Author: By Ross G. Forman, | Title: Coming of Age in Bombay | 11/10/1988 | See Source »

...touching story, but one could wish Director Nair had skipped some of the melodramatic touches. Sweet Sixteen's deflowering, for example, takes place during the festival of Holi, a spring rite in which red dye symbolic of the menstrual flow adorns the particpants. Under the auspices of a float of the elephant-headed god Ganesh, whose long trunk is considered phallic, Sweet Sixteen is pushed into a taxi to take her to her first sexual encounter...

Author: By Ross G. Forman, | Title: Coming of Age in Bombay | 11/10/1988 | See Source »

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