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...gang for trying to report an extortion threat. Persuaded to organize the browbeaten community into resistance, Kelly is flung by the hoodlums into the first mass meeting, battered, bleeding and almost dead. Then he hits on the more cautious idea of sending a veteran Italian-American detective (J. Carrol Naish) to Italy to dig up criminal records that will enable the U.S. to deport its immigrant thugs...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 20, 1950 | 3/20/1950 | See Source »

...Kissing Bandit (MGM) pokes some good-humored fun at the buskin-and-bluster heroes of costume melodrama. The picture itself is only a costume piece, with a little vaudeville thrown in. Its best features are the broad comedy by J. Carroll Naish, the sentimental songs sung by Frank Sinatra and Kathryn Grayson, and some lively Spanish dances...

Author: /time Magazine | Title: The New Pictures, Nov. 29, 1948 | 11/29/1948 | See Source »

...Chico, head of the working bandits, J. Carroll Naish does a fine eye-rolling caricature of the stock "Mexican general." He is greased-up, bulb-nosed, and hidden by eyebrows and mustache heavy enough to make a hair shirt. The dancers (Ricardo Montalban, Sono Osato, Ann Miller, Cyd Charisse) are easy to watch. The Technicolor makes the white horses and blue skies look wonderful, and most of the actors feverish...

Author: /time Magazine | Title: The New Pictures, Nov. 29, 1948 | 11/29/1948 | See Source »

...Whenever Hollywood puts a stagy gloss on the scene, reminding the audience that what they are looking at is a very expensive movie set, Bergman's passionate fidelity to her part saves the day. Fine supporting actors play the Dauphin (Jose Ferrer), the Count of Luxembourg (J. Carrol Naish), the Bishop of Beauvais (Francis L. Sullivan) and Joan's bailiff (Shepperd Strudwick...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 15, 1948 | 11/15/1948 | See Source »

...Ellen, who has never had much acting to do before, makes her love affair more real, individual and touching than most ingenues manage even in nonmusicals. Singer Dick Haymes also plays his role for a good deal more than an excuse to break into song. Miss Revere and Messrs. Naish and Romero are much more human, too, than musical films are supposed to require; and Celeste Holm adds a welcome dash of lemon juice...

Author: /time Magazine | Title: The New Pictures, Apr. 14, 1947 | 4/14/1947 | See Source »

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