Word: nakadai
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Dates: during 1980-1989
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...audience can read the play of noble emotions in their features. In Ran, that shot scarcely exists. Kurosawa's cameras (he usually covers each scene with three) are always pulled back into godlike positions, and they provide a new perspective on the rages and the ultimate madness of Tatsuya Nakadai's Lear figure. From above and beyond, we perceive him not as a great man falling but as a fragile, all too human stumbler. Distance lends an analogous irony to the scenes in which his older sons and their advisers--among them a hypnotic Kurosawa invention, Lady Kaede (Mieko Harada...
...double (played with exemplary restraint by Tatsuya Nakadai, who also plays the man he is doubling for) grows into his leadership role, acquiring the wisdom that should accompany leadership. In due course he is undone through ironic circumstances. And after that, one must witness the undoing of Shingen's clan through the misrule of his successor. Kurosawa contemplates ruin as he contemplates glory, with an objective thought as to what can be salvaged from disaster in the way of a momentary beauty, the accidental congeries of color and composition that men create as they go about their often bloody...