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...Parasite Eve was first published in Japanese in 1995, and together with Koji Suzuki's Ring helped to launch a new wave of Japanese horror - both novels were made into movies. Director Hideo Nakata's adaptation of Ring enjoyed more domestic success than the Fuji TV-produced Parasite Eve, but Sena's story reached a broader audience outside Japan through a Sony PlayStation video-game adaptation that shifted the tale to New York City and ratcheted up the gore - most fantastically in the mass spontaneous combustion of an opera audience at Carnegie Hall. There are also two Japanese manga versions...

Author: /time Magazine | Title: Cellular Seduction | 6/6/2008 | See Source »

...HIDEO NAKATA...

Author: /time Magazine | Title: DVDS: 5 Masters Of The Macabre | 10/27/2005 | See Source »

Most suspense films these days are high-voltage gross-outs. It took Nakata to restore delicacy to dread with his Japanese hit The Ring and its sequels. His 2002 Dark Water got a Hollywood makeover this year, but the original is the one to see and savor. This fable of a woman and her daughter in a very wet apartment building slowly builds an edifice of fear. Like the other masters of suspense, Nakata makes films that infect viewers with an unease lasting long after the final fadeout. --By Richard Corliss

Author: /time Magazine | Title: DVDS: 5 Masters Of The Macabre | 10/27/2005 | See Source »

...first act is quite a knockout as these films go. Director Hideo Nakata (who directed The Japanese Ringu) and writer Ehren Kruger at least have fun subverting our expectations, albeit slightly, right from the opening scene. At first, the film appears to begin exactly the same way as the original—two naughty teenagers checking out the deadly videotape and getting iced—but, it turns out one of them (the male) is actually aware of the tape’s effect...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: MOVIE REVIEW: The Ring Two | 3/18/2005 | See Source »

...continues in this vein for its first hour or so, jumping from scare to scare with a remarkable dexterity that never gets tired, due mainly to a refreshing filmic playfulness. It employs jump-cutting in bizarre places; a couple scenes are sped up for an enhanced psychological effect; and Nakata crafts images with foregrounded objects or bodies that seem disjointed in the frame—a subtle effect appropriate to the film’s tone...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: MOVIE REVIEW: The Ring Two | 3/18/2005 | See Source »

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