Word: namee
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Dates: during 1960-1969
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...present both sides of the controversy. University of Chicago Historian Richard Wade was heard arguing that both demonstrators and police were guilty of excesses. Yet most of the footage chosen was shot from behind police lines. Not once did it suggest that dozens of police removed their badges and name tags to prevent identification and then assaulted demonstrators, newsmen and bystanders...
...friends, he is a vigorous, burly, bearded man with a booming voice?possessed equally by his love for Russia and his passion for freedom. To the Stalinists, his enemies, he is the arch-accuser, the self-appointed prosecutor, blackening Russia's name abroad. His works blaze with the indignation of a man who knows his enemy: he spent eleven years in prison, slave-labor camps and exile. His books, as one of the establishment's tame writers once charged, are "more dangerous for us than those of Pasternak. Pasternak was a man detached from life, while Solzhenitsyn is combative, determined...
...Literally, "self-publishing," a pun on Gosizdat, the acronym for State Publishing House. ? TIME's quotations are taken from the Collins edition. * The counterintelligence organization popularized by Ian Fleming. Its name is an acronym from the Russian words for "death to spies." The man who denounced Solzhenitsyn was Alexei Romanov, now chairman of the State Cinematography Committee...
...Alexander Ginzburg called them, that The First Circle is most harrowing. Solzhenitsyn writes of one of these camp complexes as "a kingdom bigger than France." Each camp bore a bucolic code name such as Lake Camp, Steppe Camp, Sandy Camp. "You'd think there must be some great, unknown poet in the secret police, a new Pushkin," writes Solzhenitsyn. "He's not quite up to a full-length poem, but he gives these wonderful poetic names to concentration camps." These passages obviously parallel Solzhenitsyn's own experiences; after his years in Mavrino, he was sent to such a camp...
Fedin demanded that "vou must, above all, protest against the dirty use of your name by our enemies in the West." One writer told Solzhenitsyn to his face that "Cancer Ward makes you throw up when you read it," and urged Solzhenitsyn to follow the critic's own example: "I always try to write only about happy things." Replied Solzhenitsyn: "The task of the writer is to treat universal and eternal themes: the mysteries of the heart and conscience, the collision between life and death, the triumph over spiritual anguish." He told his accusers with bitter humor that he knew...