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Word: namelessness (lookup in dictionary) (lookup stats)
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...some of the old ranting. "He Ain't Give You None," from Blowing' Your Mind, was his most powerful effort of the evening: Scat singing over his choir, improvising, creating tension, and finally letting the band blow. It was the only time all night his band--tight, disciplined and nameless--could display its talent. He also sang "Cypress Avenue," and revealed his own essential contradiction. There is a showman within Van Morrison, and the tension between that showman and an apparent detachment creates his stage presence. His band gave him a soul-style introduction, thirty seconds of sustained chording...

Author: By Freddy Boyd, | Title: One More Moondance With Van | 5/26/1972 | See Source »

...novel is divided into three parts, the first of which is a third-person expository account of Comrade V.'s opprobrious persecution at the hands of a nameless fatherland. A celebrated mathematician, by dint of his liberal political positivism, V. is incarcerated in an obscure "large building, a few versts east of the capital." Seated in his sterile cubicle V. watches a diffraction of his own life-history pass by on a computer print-out sheet which appraises us of his peculiar character. A child mathematics prodigy, he had successfully voided people from his world-scheme...

Author: By Jim Krauss, | Title: Entertaining Mr. Sloan | 5/4/1972 | See Source »

...University, he took a leave and did a tour of service in Viet Nam. Thus his first fictional effort was partially autobiographical--the synthesis of his combat experience in Southeast Asia and subsequent exposure to the politics of protest upon returning to Cambridge in 1967. According to Sloan, the nameless hero of his first book does not choose to take up the family tradition and enter politics upon his return from Viet Nam, nor does he completely eschew identification with issues of social concern. Above all, he turns inward for significance...

Author: By Jim Krauss, | Title: Entertaining Mr. Sloan | 5/4/1972 | See Source »

Besides being a racist--and, of course, a killer--Doyle is also a bit of a boot-fetishist. One scene showing him in his apartment after an alienated liaison with a nameless woman wearing a particularly amazing pair of purple and vinyl boots, typifies the atmosphere of the film. The room is bare and cold; the furniture lacks unity or warmth; clothes, papers, and boots are strewn about everywhere. The point is made subtly that Doyle lives in a world of moral chaos, like his room; it is a world without standards, in which the chase and the capture...

Author: By Garrett Epps, | Title: Neo-fascist Movies | 5/1/1972 | See Source »

...bare outline of the legends: young Cuchulain, challenged by the warrior-Queen Aoife, defeats her in battle and that night begets a son by her. Years later, after taking an oath of allegiance to his king Conchubar, Cuchulain's son appears as a nameless young man who challenges Cuchulain at Conchubar's insistence, and is killed by his father. Learning the young man's identity, Cuchulain turns on Conchubar but is charmed into attacking the waves at the seashore instead. Finally, in his old age, weakened from loss of blood, Cuchulain meets Aoife again--who has come to kill...

Author: By Bill Beckett, | Title: Three By Yeats | 3/30/1972 | See Source »

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