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...that they must be content with their failures, they cope in frustratingly deadpan ways, lending the narrative a puzzling emotional flatness. Tony Gardner explains the seemingly tragic dissolution of his marriage to Lindy in sterile, practical terms, saying, “I’m no longer a major name. Now I could just accept that and fade away. Live on past glories. Or I could say, no, I’m not finished yet.… You have to be prepared to make a lot of changes, some of them hard ones. You change...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Ishiguro Releases an Accomplished But Mild Collection | 10/30/2009 | See Source »

...despite her efforts to inform the Harvard community about Sufism, Quraeshi does not want to be considered an Islamic artist. “It’s a sensitive subject because of all of the horrible things being done in the name of Islam,” she says. “It’s sort of like calling a woman a female artist. You are either an artist...

Author: By Meredith S. Steuer | Title: Middle Ground | 10/30/2009 | See Source »

...number of the songs on “Tabloid” are taken from white artists as profoundly influenced by black music as Phoenix has been. Selected gems from these singers and songwriters—Elvis Costello, Dusty Springfield, Lou Reed, the Dirty Projectors, to name a few—are paired with songs by preceding, contemporaneous, and succeeding black artists—The Impressions, D’Angelo. For Phoenix, stylistic connections trump relations of chronology or influence. Placing Elvis Costello’s schmaltzy, intricate “Shipbuilding,” just before D’Angelo?...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...that would otherwise go unfunded - donors contribute to the most deserving requests. Goldman says this lets local chapters make a difference for kids directly in their community, rather than contributing to a more anonymous national organization. But Mustaches for Kids biggest advantage of all, Goldman claims, might be its name. "It just sounds nice," he says. "It's weird enough and memorable enough to stick...

Author: /time Magazine | Title: Mustache Wars: Raising Funds with Facial Hair | 10/30/2009 | See Source »

...door, I waved a print-out, a ticket confirmation. A man with silver hair, glasses, all in black, showed Jess, Frances, and me to our table. His name was Jim. By then the opening act had started and we stumbled through the dark, through aisles tightly packed with tables and chairs. We apologized for bumping the knees of strangers, for stepping on their feet...

Author: By Emily C. Graff, CRIMSON STAFF WRITER | Title: A Detour in Harvard Square | 10/29/2009 | See Source »

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