Word: napoleon
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...devour. Electromagnetic guns, lasers, and new fuel types could allow the Army to achieve its goal of fielding such a force that could fight for two weeks without resupply. But until then, the speed of deployment is mostly dependent on how quickly the Army can set up logistics links. Napoleon's old dictum that an army travels on its stomach remains true today...
...coalesced around his art. In the first half of his life, when he was in Italy, the Mecca of the aspiring French painter, his pencil drawings caught the upper crust of foreigners there--the milords Anglais and their families on the Grand Tour, the French officials who ran Napoleon's kingdom in Italy, his fellow expatriate artists--with stylish brio and steely exactness. It is fascinating to see him shifting through different levels of notation--for example, between the subtle, continuous modeling of the face of Mrs. Charles Badham (1816) and the brisker, more linear treatment of her shawl...
...that. But some of his portraits have become stand-ins for classes of people, especially for the triumphant upper middle class of 19th century France. One example is his unforgettable image of Louis-Francois Bertin (1832), the anti-Jacobin journalist who had survived exile and the disapproval of Napoleon to become, during the reign of Louis-Philippe, a press lord--the owner of an influential newspaper, the Journal des debats. His belly strains against the confines of a wrinkled waistcoat; he leans slightly forward, fixing you with a sharply assessing stare; his hands are planted immovably on his knees...
...last artists to whom the rhetoric of grandeur seemed not only possible but desirable. Of course it had to be for a myth painter doing an Apotheosis of Homer. But Ingres brought it into portraiture, most notoriously with his over-the-top portrait of Napoleon (1806) in his imperial coronation robes, as frontal and opulent as a Byzantine god. So weird was this attempt at deification that even David, Ingres's old teacher, found it "incomprehensible"--and it was so much mocked that the touchy Ingres refused to return to France until other paintings had earned him a better reception...
...Degas, Botticelli, Matisse, Giotto, Velasquez, Sargent and Holbein adorn medieval tapestries, which in turn cover the walls of the Northern European Hall, the Spanish Chapel the Chinese Loggia and the Dutch Drawing Room. Watercolors by Turner and masterpieces by Rembrandt peek out from behind neoclassical chaises lounges. Writings by Napoleon, T.S. Eliot and Sarah Bernhardt fill all nooks and crannies...