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...record labels screwed themselves: "After almost eight years of stonewalling MP3s and Napster, major label employees gradually accepted the fact that freely selling digital music was the blueprint for survival. EMI's decision to sell MP3s was a step in this direction - as would be Amazon's MP3 store, MySpace Music, and the Radiohead model of giving away music online. But labels were still a long way from overcoming their outdated ideas. They clung stubbornly to long held beliefs that selling millions of pieces of plastic would return them to massive profits...

Author: /time Magazine | Title: The Music Biz: Murder or Suicide? | 1/22/2009 | See Source »

Technology saved the music industry in the '80s. Technology also destroyed it less than 20 years later. The advent of file sharing programs like Napster, the industy's refusal to adopt new distribution methods, free-spending executives, the shrinking of radio and the increasing power of big-box retailers over devoted record stores - all have led to the present situation, where many consumers would rather steal music than pay for it. Knopper's analysis of the situation is pretty insular, however. Rather than attempting to draw parallels between music and other entertainment industries that have been rocked by the Internet...

Author: /time Magazine | Title: The Music Biz: Murder or Suicide? | 1/22/2009 | See Source »

...book ping-pongs between a series of miniature, magazine-like profiles and intricate accounts of lawsuits and record company financial transactions. That's fine if you're dying to get the nitty-gritty on the rise and fall of Napster, or the way that Apple grew to dominate the music industry (both well-trod stories at any rate). but if you're looking for some novel conclusions or recommendations as to how the music industry can save itself, you might need to wait for Knopper's next book...

Author: /time Magazine | Title: The Music Biz: Murder or Suicide? | 1/22/2009 | See Source »

...click of a mouse). "What before was both impossible and illegal is now just illegal," Lessig explains. In September of that year, movie studios and record labels met with the Commerce Department to map out a new legal strategy. The wildly popular and ill-fated music-sharing giant Napster became the war's first casualty. But it didn't stop there. "Then they targeted ordinary citizens, charging them with downloading music or enabling others to do the same ... as of June 2006, the RIAA had sued 17,587 people, including a twelve-year-old girl and a dead grandmother...

Author: /time Magazine | Title: Lawrence Lessig: Decriminalizing the Remix | 10/17/2008 | See Source »

Adam R. Gold ’11 lives in Adams House and plans to concentrate in physics. His column, “Fully Charged” is about science and technology and how they impact Harvard students. The column will try to touch on topics ranging from Napster to nanotubes and will focus on bringing the latest research to the rest of us on alternate Mondays...

Author: By The Crimson Staff | Title: Columnist Announcement | 10/2/2008 | See Source »

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