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Before a crowd of 25,000 that stretched from the steps of Memorial Church to the stone columns of Widener Library, Nelson R. Mandela called for continued efforts to narrow the gap between the rich and the poor in countries around the world...

Author: By Jenny E. Heller, CRIMSON STAFF WRITER | Title: Mandela Honored on Majestic Day | 9/21/1998 | See Source »

Over the next few days, the debate over the Lewinsky mess will narrow to this difficult question: Did Clinton behave so badly that he abused the power of his office? History offers little guidance, but one of the most recent impeachments doesn't bode well for him: U.S. District Judge Walter Nixon of Mississippi was impeached and removed in 1989. He had allegedly accepted a bribe, but that's not what got him impeached. Lying to the grand jury...

Author: /time Magazine | Title: What Exactly Are High Crimes and Misdemeanors? | 9/21/1998 | See Source »

...Friday and Saturday rebuttals, Clinton's attorneys say he didn't perjure himself and that Starr includes supposed examples of lies about sex only for "shock value." They say some of the questions he was asked were "ambiguous" and that he gave "narrow," not false, answers in response. They point out that one other person's testimony isn't enough for a perjury conviction. And they say Starr never proves that Clinton intended to lie--a requirement for perjury. One rebuttal says Starr's real complaint about Clinton's gifts testimony is that he "was not more forthcoming," which doesn...

Author: /time Magazine | Title: Enough To Impeach? | 9/21/1998 | See Source »

...extends beyond showing that the President was wrong on the semantics, it must also show that...he knew he was wrong and intended to lie--something that the OIC could not begin to demonstrate. In fact, all the OIC has is a witness who gave narrow answers to ambiguous questions...

Author: /time Magazine | Title: In Defense Of Clinton | 9/21/1998 | See Source »

...people at different depths in his frames, and that serves well the tense interplay of the actors when they're plotting and scheming. It also provides a nice contrast to the car chases that are another Frankenheimer specialty (Remember Grand Prix?). He loves sending his vehicles screeching through narrow European streets, and he apparently loves trying to top himself, because there are three such sequences here. They are done the old-fashioned way, by stunt drivers, which gives these thrill sequences an immediacy, a nervy elan that special-effects techies can't quite generate on a computer screen. They also...

Author: /time Magazine | Title: Cinema: Abstractly Expressive | 9/21/1998 | See Source »

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