Word: nas
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Combs isn't talking, but conversations with his friends and associates suggest that an array of factors suddenly converged to push his sometimes volatile temper over the red line. After he filmed the mock crucifixion scene for the Nas video Hate Me Now, Combs had second thoughts that the imagery might be considered blasphemous. So as he often does, he consulted his religious adviser, the Rev. Hezekiah Walker of the Pentecostal Love Fellowship Tabernacle in Brooklyn, N.Y., where Combs worships. "I told him to cut the video," Walker told TIME. "Sean has a strong spiritual sense...
...what we can loosely term the "underground," such shows are just weak-wack. Typical rap artists either stand on stage with nothing entertaining to deliver except the mere presence of their stardom (e.g., Jay-Z), or they riddle their acts with gimmicky stage props or too many cohorts (e.g., Nas, Wu-Tang). Or they repeat their tracks with genuine energy, but without anything you couldn't find in their albums (e.g., almost every other act you know). Futhermore, the crowd is forever a 5,000-one male/female ratio, and if the show's not on a college campus (or sometimes...
CHARGED. SEAN ("PUFFY") COMBS, 29, rap superstar; with assaulting Interscope record executive Steven Stoute; in New York City. Combs was reportedly upset by the video for the song Hate Me Now, by Stoute's client, rap artist Nas. It includes a guest appearance by Combs, who is nailed to a cross. The video was aired on MTV before the alleged assault. Stoute says Combs was one of three men who attacked him. Combs could face seven years in prison if found guilty...
Again and again on this CD, Nas raps about struggle and loss. Originally he recorded--then dropped from the album--a soulful, introspective song about growing up poor called Project Windows; here's hoping he will include it on a future album. Another song (one that made the cut), We Will Survive, mourns the shooting death of superstar rappers Tupac Shakur and Biggie Smalls. "[Smalls and I] were supposed to meet the night he died," says Nas. "I can't forget Biggie and Pac--they made it possible for rap music to blow...
...Nas is actively and eagerly building on their legacy. On one of his new songs, the insistent I Want to Talk to You, he attacks Congress, the President and various public officials, exhorting them to do something, anything, about the conditions of the inner city. In doing so, Nas breaks out of the pack of contemporary rappers. He's not just identifying problems. He's demanding solutions...