Word: nasa
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Dates: during 1960-1969
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...NASA geologists gave high grades to both Armstrong and Edwin Aldrin for their descriptions of the lunar rocks, many of which seemed to be basaltic, or of volcanic origin. Though Aldrin originally used the word wet to describe the lunar soil that he extracted with a core sampler, it was later explained that he had meant simply that the material tended to cling together because of the lunar vacuum...
...electronic wizardry was all the more impressive because the same carrier that transmitted voice signals to earth was made to handle TV as well. Although voices went to Goldstone, NASA technicians found that another 210-ft. dish antenna in Parkes, Australia, provided the best reception for the TV signal. From Parkes the signal was relayed overland to Sydney, flashed to the Moree Earth Station 200 miles to the north, beamed up to the Intelsat communications satellite 22,300 miles above the Pacific Ocean, relayed to Jamesburg, Calif., passed by microwave ground signal and coaxial cable to Houston and finally transmitted...
...next lunar show should be even more spectacular. The $400,000-camera abandoned by Armstrong and Aldrin on the surface of the moon could transmit only in black and white. In the months ahead, NASA hopes to have ready a color camera capable of withstanding the extremes of lunar temperatures for the Apollo 12 flight in November...
...orchestra conductor," says Christopher Columbus Kraft, flight operations director for the Apollo missions. "I don't write the music, I just make sure it comes out right." Chris Kraft's unlikely podium is the windowless Mission Operations Control Room on the third floor of Building 30 at NASA's Manned Spacecraft Center near Houston. His musicians are the 30 controllers who sit at four rows of gray computer consoles, monitoring some 1,500 constantly changing items of information registered on gauges, dials and meters. Kraft's primary instrument is a pair of IBM 360 Model...
...back row sit Mission Control's brass, overseeing the entire mission. Alongside Kraft sits NASA's Mission Director George Hage, who has direct lines from his console to the White House, the State Department and NASA's Washington headquarters, but who rarely plays a direct role during a mission. Near by is a Department of Defense representative, whose console has direct lines to all military forces supporting the mission, including recovery teams; for Apollo 11, Air Force Major General Vincent Huston was the Pentagon's man. During most missions, George M. Low, Apollo program manager...