Word: nasalate
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Dates: during 1950-1959
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...51st Dragon, taken from the text by the late Heywood Broun, is the second cartoon in U.P.A.'s (United Productions of America) series of comic legends for moderns. Like the first, an animation of James Thurber's Unicorn in the Garden (TIME, Oct. 26), it is a nasal little ballad that ends with a sly intellectual hiccup. The admirers of Donald Duck and Woody Woodpecker and Porky Pig are not likely to be broken up with hilarity. Still, it is refreshing to laugh at an idea instead of an oink, and the kidding of medieval styles...
...Impressionism. Utmost delicacy and nuance are needed to convince the listener that "jets of slender fountains sob with ecstasy." Samuel Walter's piano accompaniment, although accurate, completely neglected the musical imagery. Miss Wheeler, for her part, lacks the technique of "French" projection--a sharply defined, almost nasal quality--that the vocal lines demand. She was more than equal to big emotional climaxes, but not to evocations of moonlight and mist...
...thin, nasal voice, Field Marshal the Viscount Montgomery of Alamein curtly sketches the problem. Suppose the Russians were to advance here. (A dark shadow darts westward across the map.) Then their tactical air force's striking power would extend to here. (A purple light slides across the map, out into the Atlantic, ominously embracing Britain...
...came 52-year-old Baritone Eddy, his blond-tinted grey hair brushed to wavy perfection. When he began singing, the crowd knew for sure that he had not changed at all; his big voice had not lost a bit of its old boom, or, for that matter, its slight nasal tone. There was Tramp, Tramp, Tramp, Ah, Sweet Mystery of Life, Rose Marie, I'll See You Again, At the Balalaika, Indian Love Call (with a pretty blonde, Gale Sherwood, dressed in an unlikely, scantie-type Indian costume). There was also, of course, the Eddy specialty, Short...
...which it was written, a great part of the work's charm lies in seeing its technical hazards overcome. Mr. Wenzinger did so not only with ease but with bravura. The viola da gamba is a seven stringed instrument resembling the 'cello, yet the remarkable freedom and slightly nasal sweetness of its tone make it much more appropriate than the 'cello for Baroque music. Harvard is fortunate in having this opportunity to hear Mr. Wenzinger, one of the foremost performers on the instrument and an expert in the performance of styles of Baroque music...