Word: nasality
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Dates: during 1970-1979
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Jackson Browne. It's too bad they didn't put Jackson Browne and Bonnie plementary styles are demonstrated by their interpretation of each other's material. Jackson's vocal style, however, is difficult to define. It's a kind of bluegrass-nasal which has been mellowed by his recent emphasis on family life. As for his back-up band, the center of attention will be focused upon a guitar mastermind whose credits include electric fiddle, in addition to lead, pedal steel, and slide guitar. Although you won't be able to see both Jackson and Bonnie in concert together...
...voices of the singers are often less charged with emotion than their blues and rock counterparts. Most male country stars have deep bass baritones that seem to say: this man sits tall in the saddle. Women stars tend to have bright, unstrained sopranos-or a Lynn Anderson land of nasal chirpiness-that rule out not only women's lib but any other kind of defiance. In the past, country lyrics have been astonishingly repressive. Blind loyalty to husband, parents, even political leaders has been a common theme. When men have sung about women, the subject (always excepting long-suffering...
...familiar mix-the gaunt but unmarked face and the insinuating nasal rasp. He slouches buzzing over his guitar, his voice dry as locusts. Then, without warning, Bruce Springsteen rears back and uncorks a geyser of white hot sound. Cataracts of electrically charged fragments of sound lacerate the air, scattering intimations of Dylan and colliding with the fierce rhythms of Springsteen's own wild fusion of rock, jazz and folk rock...
...TICKET-TAKERS at the Performance Center, passing around a lot of green paper the other night at the Waylon Jennings concert, were imitating and making fun of the country nasal twang wafting through the door. They piped in folk-rock music between the sets. Inside, in the midst of longhairs, a middle-aged housewife from Ayre rocked back and forth to "Me and Bobby McGee" and a man in his sixties danced to "Six Days on the Road." Cambridge has never been much for country and western music--and this is rare for a college town. But this week...
...Nasal Howl. From the moment they shamble onstage to begin their low-key performance, Dylan and the Band are in complete control of the audience. Dylan's early folk-rock numbers, punctuated by Band standards like The Night They Drove Old Dixie Down and Up on Cripple Creek, are knocked out with an almost blase professionalism. But if Dylan is short on emotion, he makes up for it in energy. Shouting into the microphone in his haunting nasal howl, he spits out his message like a cobra. Since neither the performers nor the songs need introduction, there...