Word: nash
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Dates: during 1970-1979
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...year of the supergroup, 1970 will most likely go down in history as the year rock began searching for a superman. The candidates have come from everywhere-especially from such fretfuL or dissent-ridden groups as the Beatles, Jefferson Airplane and Crosby, Stills, Nash and Young. One reason behind the search for individualism is that youth in America, as elsewhere, has become less interested in rock as a mind-blowing communal expression and more curious about what individual musicians may have to say. What the rock world seems to need right now, therefore, is a high-talented, low-keyed, protest...
...congratulatory speech, and when the assembled Young Americans for Freedom had picked up their papers and started off towards the buses for home, the quiet band that had been hired for the picnic began to play again. They played careful, almost exact imitations of some of Crosby, Stills, Nash, and Young's songs. It seemed to be an inappropriate band for a conservatives' picnic, but perhaps they didn't listen closely to the lyrics, nobody seemed to mind. A few people remained, standing close to the band, enjoying the music. One of them was Ken Grubbs, a very young looking...
When Joe Burk and Ted Nash began to build their powerhouse at Pennsylvania, however, the question of Harvard's absolute superiority became less and less of a foregone conclusion. By 1967, the Quaker junior varsity and freshman boats had begun to defeat their Harvard counterparts with regularity, and it seemed only a matter of time until the deep, enthusiastic Penn program would overtake the Crimson at the varsity level, as well...
Parker, in a very real sense, has formed the Harvard rowing philosophy. Unlike Nash, who took over head coaching duties from Burk this year at Penn, Parker shuns the gungho, Storm Trooper approach that has been a trademark of the Quaker program since Nash's arrival. He is the master tactician, never panicking, highly analytic-and thus inspires the highest confidence in his oarsmen, win a race, there's no question about it," says senior Charlie Hamlin. "His stress on style and conditioning as well as the calm, rational attitude he takes has convinced us that...
...very good. There were thirty-five acts at Woodstock, and there are only thirteen in this film. The choices made here remain inexplicable, hence you should go prepared to be bored. A few of the heavies: Joan Baez, Richie Havens, Santana, Sebastian, Joe Cocker, Ten Years After, Crosby, Stills, Nash, and Young, each set more intolerably mediocre than the last and if you start with Baez doing "Swing Low, Sweet Chariot," you can imagine where that takes you. Where are the Airplane, or the Dead, or even the Band...