Word: nat
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Through the sleepy stupor of a Sunday morning came the elevating lull of National Public Radio. Nat Hentoff, free-speech champion, was paying tribute to Ralph Ginzburg, who had died July 6 at the age of 76. That snapped me awake. Ginzburg had been declared a pornographer, had lost a Supreme Court obscenity decision and gone to jail - all for publishing a magazine I'd subscribed to when...
...sending it through the United States mail in a case decided by the Supreme Court..." The Times described Eros as "a stunningly designed 'magbook' devoted to eroticism... [It] covered a wide swath of sexuality in history, politics, art and literature. Mr. Ginzburg valued good writing, and his contributors included Nat Hentoff, Arthur Herzog and Albert Ellis...
...Computers were a scarce commodity for the Class of 1981. When I took Nat Sci 110, the introduction to computing course, we had to fight for terminal time at the Science Center to run our little training programs on the resident minicomputer. In retrospect, I think we must have been the last class in which everyone typed (and laboriously retyped) their theses and sniffed the vaguely intoxicating fumes of liquid paper. On return visits to campus in the early eighties I’d notice the steady proliferation of PCs (and later Macs). The tools we used to learn...
...possible that Dylan's social-musical conscience was a career movie too. He suggested as much to Nat Hentoff, who wrote a 1964 New Yorker profile on Dylan. About the "finger-pointing songs," he said, "Some of that was jumping into the scene to be heard and a lot of it was because I didn't see anybody else doing that sort of thing." But to those who took the songs at face value, they sounded like the voice of an angry God promising hard rain if the human race doesn't shape up quick...
...from Cole Porter to Radiohead. On Day Is Done, Mehldau mixes original compositions with homages to his pop heroes. From the album's first track, a propulsive version of Radiohead's Knives Out, to a plaintive reading of the theme from Alfie, to the laid-back swing of the Nat King Cole favorite No Moon at All, Mehldau expertly blends the abstract with the familiar, making even a tune as dated as Paul Simon's 50 Ways to Leave Your Lover sound new again...