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Gato has matured, to borrow from some of Nat Hentoff's album lining prose, and his stuff has gotten more vibrant, if less free in form over the years. He has, however, traded in the top jazz back-up men for some players who would do better accompanying Bruce Springsteen. Now Gato's in town, but before you go down to Paul's Mall to see him, consider this: the last time he was in Boston he played nothing but jazz/rock including cuts from his "Alive" album, which he recorded one week after his appearance here...

Author: By Jim Cramer, | Title: Jazz | 10/9/1975 | See Source »

...that was to take Soc Sci 2 and Nat Sci 90, a couple of famous, high-pressured Gen Ed courses--famous outside Harvard for their academic rigor and excellence, famous inside Harvard for their tendency to destroy freshman year...

Author: By Irene Lacher, | Title: Sinking in The Big Pond | 9/1/1975 | See Source »

...lyrical, driving jazz saxophonist; of a heart attack, 25 days after suffering a paralyzing stroke on his way to a gig; in Gary, Ind. Son of a Florida musician who weaned him on jazz, Adderley arrived in New York in 1955 with a quintet that included his brother Nat on the cornet. First billed as the heir apparent to Altoist Charlie ("Bird") Parker, Adderley became more eclectic as he forged his own musical identity with Miles Davis' group from 1957-59 and later with his own revived quintet. His playful bantering with audiences and brilliant improvisations on such numbers...

Author: /time Magazine | Title: Milestones, Aug. 18, 1975 | 8/18/1975 | See Source »

...film on his childhood experiences as a Jew during the occupation. The present in which the film is being shot is in black and white; the past it depicts, in lush, slow paced color sequences. All the actors in Michel's film are exquisitely beautiful, particularly his wife (Josse Nat) as his mother and his son (David Drach) as the young Michel. Its presentation is limited in perspective, focusing exclusively on what happens to one family, as seen through the eyes of a ten-year-old. Michel as director meticulously and lovingly reconstructs his childhood memories, suffusing them with retrospective...

Author: By Jonathan Zeitlin, | Title: The French Occupation and the Jews | 5/23/1975 | See Source »

Gould, who uses a conventional grading system in his other courses, says that Nat Sci 36 could not have been totally successful because the "utopian model of social change" that it was based on is not applicable to the Harvard situation...

Author: By Natalie Wexler, | Title: A Quiet Act of Impiety | 5/14/1975 | See Source »

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