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Gorbachev's futile show of force surely marked another drop in his waning popularity. Amid the ranks of uniformed men, a solitary woman stood weeping. "This is the country I love," said Natalia Kositskaya, a 50-year-old doctor at a Moscow military clinic, "and I am ashamed of it. I never would have believed Gorbachev could do this. In the past two years, he has become a devil." Her tears continued as she pointed at the moving phalanx of police. "It is a crime," she said...

Author: /time Magazine | Title: Soviet Union: Russian Standoff | 4/8/1991 | See Source »

...Kirov, the revered Soviet classical company that nurtured George Balanchine, Rudolf Nureyev, Mikhail Baryshnikov and Natalia Makarova, came stocked with an impressive repertory. It has been 25 years since it played New York City, and in that time Manhattan has become entrenched as the dance capital of the world. Local fans are well informed and tough. Balanchine, who died in 1983, is still very much the presiding genius, and the purity and speed of his choreography set the pace. In addition to the perennial Giselle and some short pieces, Kirov artistic director Oleg Vinogradov brought his new production...

Author: /time Magazine | Title: Dance: From Leningrad with Love | 7/17/1989 | See Source »

...tennis community too, freethinking Soviets are multiplying. Olga Morozova, the pig-tailed pioneer who occasionally popped into grand-slam finals during the '70s, now coaches a raft of promising young countrymen and -women known as the Glasnost Gang. The most precocious gangster is Natalia Zvereva, 18, who is also the most perestroika-emboldened. She has won $515,000 professionally, but since much of it has been diverted into state coffers, she gripes, "I still don't have enough money for a Mercedes." When last seen, Zvereva was stomping back to the Kremlin to have it out with her agents...

Author: /time Magazine | Title: Sport: The Global Cry: Play Ball! | 6/5/1989 | See Source »

...artistic talent, and no culture recovers so fast. The sense of a time lag is acute to the visitor. Certainly, there is no shortage of artists doing earnestly secondhand versions of last year's, or last decade's, Western model. But there is also some extremely serious talent: Natalia Nesterova, for instance, with her brooding groups of figures, locked in thick, silvery paint and dense with melancholy, or, in the area of abstraction, Erick Stenberg. In the 1960s and '70s, Stenberg's work was a prolonged meditation on constructivism and suprematism, the chief movements of the "classical" Russian avant-garde...

Author: /time Magazine | Title: Art: Canvases of Their Own | 4/10/1989 | See Source »

Some of the stiffest competition will come from those she trains with at the Palace of Sports in Minsk. During a relaxed warm-up, as a Michael Jackson tape plays softly over the loudspeakers, the individual personalities emerge. Natalia Lashchenova, who turns 15 this week, is the prankster, tripping her teammates when the coaches are looking the other way. Svetlana Boginskaya, 15, - the tallest on the team (a towering 5 ft. 2 in.), is the most serious, often perched on a mat between exercises with her nose in a book. Olga Strazheva, 15, has an appetite for science fiction. Svetlana...

Author: /time Magazine | Title: Olympics: Sprite Fight | 9/19/1988 | See Source »

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