Word: natasha
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Ferrer, and Henry Fonda. Andrei, a sophisticate and soldier, is unable to alter his archaic sensibilities and perishes in the war. Pierre, muddling through the chaos around him, does nothing right, but because he has the capacity to grow and change, he survives. Between the two flutters the lissome Natasha (Ludmila Savelyeva) as she grows from spritely adolescence to tragic womanhood...
PROKOFIEV: WAR AND PEACE (3 LPs; Heliodor). Tolstoy's epic is not the easiest assignment in operatic composing, but by concentrating on the love story of Prince Andrei and Natasha, and Kuturov's defeat of Napoleon, Prokofiev has done a surprisingly effective job. Instead of beginning with a big party scene, he shrewdly chooses a tender picture of longing and rebirth when Andrei hears Natasha and Sonya on their balcony. The composer has written the girls a soprano duet that recalls Strauss's lyricism. Here and elsewhere, the voices of Radmilla Vasovic Bokacevic and Biserka Cvejic...
...palatial suburb of Los Angeles, and except for her daily visits to the studio lives there like any other matron of reasonable means with her two children, their nanny and her secretary. She gets home by 7 or 8, gives a big hug to her two little girls?Natasha, 3½, and Joely Kim, 2. Then she hears all about what they did that day, reads them a leisurely bedtime story, puts a diaper on the baby, and tucks them both in bed. Weekends she sees the children all she can, but arranges to spend a few hours by the pool...
Shakespeare cared too much for his satellite roles to give the entire show to the stars, and it is as much the supporting players as the Burtons who give the Shrew vitality. Victor Spinetti, Cyril Cusak and Michael Hordern are a brilliant bunch of second bananas. Natasha Pyne, as Kate's sister Bianca, plays with a wide-eyed vanilla-pudding approach that deliberately lends Kate more flavor...
Part of her secret lies in the fact that she commands a physical plasticity beyond the magic of makeup men. She has conquered more than 130 roles, from the giddy 13-year-old Natasha in War and Peace, to the 61-year-old lioness in The Lion in Winter, to the steely title role in Giraudoux's Judith. Her voice is all champagne in the comedies, darkens to cognac in the heavier roles. She is a body actress, ruling the stage with grace and power and actually seeming to lean into her lines...