Word: natashas
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Cannes Film Festival. But then the girl, who was born Natasha Gurdin to Russian emigre parents, met the Russian delegation to the festival. She joined a Soviet cinemactress in a duet of melancholy Russian folk songs, later chatted happily in the language she learned as a child...
...Charisse, Frances Gumm to Judy Garland, Bernie Schwartz to Tony Curtis, Sarah Jane Fulks to Jane Wyman, Emma Motzo to Lizabeth Scott, Judith Tuvim to Judy Holliday, Doris Kappelhoff to Doris Day, Aaron Chwatt to Red Buttons, Zelma Hedrick to Kathryn Grayson, Eunice Quedens to Eve Arden, Natasha Gurdin to Natalie Wood, Barney Zanville to Dane Clark, and William Beedle to William Holden. England's James Stewart, eclipsed by Hollywood's James Stewart, changed his name to Stewart Granger. Frederick Bickel-rhymes with pickle-changed his name to Fredric March. Frederick Austerlitz was just too hobnailed a surname...
...been in films for nearly 20 years. Most of her credits are best forgotten, but there were enough big hits -Miracle on 34th Street, Rebel Without a Cause, Marjorie Morningstar-to keep her career moving upward. It began in Santa Rosa, Calif., when four-year-old Natalie-then Natasha Gurdin-went with her Russian-immigrant mother to watch the filming of Happyland. Even then she was a raving beauty, and Director Irving Pichel plucked her out of the crowd to give her a bit part. In her next, Tomorrow Is Forever, she swiped scene after scene from Orson Welles...
...Little Natashas. Thrusting out bulging fists, Nikita crowed: "I have strong hands, and anyway, I love it!" He went happily down the receiving line, and began to warm up when he reached a group of children from the Soviet embassy, who showered him with flowers. To one little girl he boomed: "Your name is Natasha!" The surprised child stammered, "How did you know?" Laughed Nikita: "Every Russian girl is called Natasha...
...glorious effects of cutting and lighting are often spectacularly inappropriate. But somehow the vital extravagance of the film engages the spectator and whirls him along in its whirling mood. This mood is personified in Heroine Samoilova, an astonishingly imaginative young actress who is the type of Tolstoy's Natasha-slender, dark, expressive as a flame...