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...which earned her a Best Actress Award at the Cannes Film Festival last year. But despite these successes, she's still known primarily as the daughter of Jane Birkin, the gamine English model and actress, and Serge Gainsbourg, France's beloved singer-songwriter. When Serge died in 1991, the nation went into mourning and President François Mitterrand lauded him as "our Baudelaire, our Apollinaire." Carrying such celebrated DNA can be a daunting task. "With acting I never have to reference my father," Gainsbourg says. "With music I want to refer to him, but I want to find...
...Postcard: Inland Empire," with its tale of qualified, would-be homeowners getting outbid at every turn by developers, carries a message that should be heeded by Washington [Jan. 18]. Bad economic choices and unexpected economic reversals are inevitable for any nation. Though painful for those involved, market forces will eventually clean up these disasters and restore stability--if allowed to do so. Attempts to create a utopian society and protect citizens from this pain will only defer the inevitable and possibly make the eventual correction catastrophic...
Whoever leads Ukraine next, it won't be pro-Western President Viktor Yushchenko, who placed fifth in the nation's Jan. 17 elections. Since coming to power in 2005, Yushchenko has clashed with Russia and angered Ukrainians by failing to make good on his promises of economic reform. Prime Minister Yulia Tymoshenko and her predecessor Viktor Yanukovych--both seen as more Moscow-friendly--were the top vote getters, prompting Russia to unfreeze ties with the former Soviet republic. The two will face each other in a Feb. 7 runoff...
...universe, Eero Saarinen was the man who supplied it with an architecture suited to the place where the future happened. For the marquee names of American capitalism - General Motors, IBM, CBS - he designed buildings that were more than just corporate facilities. They were signposts for modernity, theirs and the nation's. For New York City and Washington, Saarinen provided airport terminals that were symbols of the excitement and glamour of air travel. (It was once possible to think of air travel that way.) Then there was his St. Louis Gateway Arch, a gleaming vertical curve that even now could serve...
They would also struggle to accommodate it to the appetites of postwar America, an abundant, full-of-itself nation. The country's corporate and institutional élites were open to the idea of seeing their power expressed in a contemporary idiom, with none of the grand and intricate ornament of earlier generations. Yet the bare-bones Modernism that came of age in Europe between the wars was not quite what they were looking...