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...plot seems as simple as the production, which is reminiscent of the televised plays of the 1950s. Addie (Lisa Lucas) is a precocious fifth-grader in small-town Nebraska in 1946. She lives with her grandmother - a moccasin-wearing "character" played with wise, Everygrandma affection by Mildred Natwick - and her stern working-class father, brought to dark life by the legendary Jason Robards in a role of angry middle-aged despair more often found in Eugene O'Neill plays. Addie's mother died after giving birth to her; and her father still carries the pain as well as a bitter...

Author: /time Magazine | Title: The Little Christmas Classic That Could | 12/14/2007 | See Source »

...studio, its style was really the creation of many artists, each one honing a speciality. Ward Kimball, Les Clark and Frank Thomas were particularly adept at complicated fast-moving action sequences, while Art Babbitt concentrated on large, slow, furry creatures like Goofy and the Big Bad Wolf. Grim Natwick, who created Betty Boop for another studio, was the early specialist in femininity. Eric Larson's skill with cute round little animals contrasted nicely with John Lounsbery's sleek menace-Cruella in One Hundred and One Dalmatians, Alex Alligator in Fantasia. That film, of course, was the great test...

Author: /time Magazine | Title: Cinema: The Great Era Of Walt Disney | 7/20/1981 | See Source »

...plot coils around the characters like a boa constrictor and embraces the audience in fun and terror. One of the subsidiary characters is Helga ten Dorp (Marian Winters), a psychic who prophesies events with a certain deadly inaccuracy. Winters makes her the most consumingly droll zany since Mildred Natwick, as Mme. Arcati, had close encounters with a nether world in Noel Coward's Blithe Spirit...

Author: /time Magazine | Title: Theater: Scalp Tingler | 3/13/1978 | See Source »

...always nervous when I hear my own plays," confessed Lillian Hellman, 70, who gritted her way through an evening of Hellman read by the likes of Christopher Plummer, Mildred Natwick, and Jane Fonda. The New York City tribute to the playwright benefited the Committee for Public Justice, a civil liberties organization she founded in 1970. Noting that friends she had not seen in 20 years had called up asking for tickets, the author of The Little Foxes and The Children's Hour greeted the occasion with typical hauteur. "I'm appalled," she laughed. "Appalled that anyone would think...

Author: /time Magazine | Title: People, Nov. 24, 1975 | 11/24/1975 | See Source »

...each other from across a room--that the little wit he put into the script gets swallowed up by the chandeliers. And Astaire needed the foil of stupid, stuffy Edward Everett Horton to show off his own urbanity. Reynold's counterpart to Horton is his mother, normally silly Mildred Natwick, who breezes in and out in two scenes with exceptional sanity, leaving Reynolds only his own acting ability to prove his sophistication. Unfortunately, that's not enough. Eileen Brennan as a crass, nymphomaniacal maid is a welcome counterpart to Shepherd. But Cybill still insists on gimmicks like crescendoing...

Author: By Kathy Garrett, | Title: Woosome Twosomes | 3/24/1975 | See Source »

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