Word: natwicks
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When Redford remonstrates, Fonda starts sniping-only to sign a false charmistice when her middle-class mother (Mildred Natwick) arrives. Before long, they are joined by a randy reprobate of a neighbor (Charles Boyer) known as "the Bluebeard of Tenth Street." Bluebeard leads the way to an Albanian hash house that serves such delicacies as black salad and ouzo. The foursome eventually wend their way home, whereupon Fonda and Redford drunkenly declare...
Corie's mama (Mildred Natwick) drops in earlier. So does Victor Velasco (Kurt Kaszner), an average Continental charmer. This sets a zany subplot in motion: Can a lonely New Jersey pill popper who sleeps on a board find enduring happiness with an ebullient Hungarian gourmet who sleeps on a rug? It takes an uproarious culinary trek to Staten Island and several draughts of ouzo, the Greek tequila, to resolve this dilemma. Meanwhile, Corie and Paul have a lallapalouzo of a spat. Corie's mother primes a happy last-act curtain with some classic advice on how to hold...
Elizabeth Ashley and Robert Redford are one couple in ten thousand. Their romantic good looks and deft comic timing give the play a believable illogic in which farce becomes fairy tale. As one of the world's funnier women, Mildred Natwick can verbally give a line the same corkscrewy twist that Margaret Rutherford manages with massive facial quirks. Nowadays, when even the comic muse pulls a long face, a smiling, unalloyed joy awaits those who hotfoot it to Barefoot...
...Waltz, Funnyman Sellers has put his talent on a turkey that, on closer examination, proves to be a plucked peacock. As a play-written by France's Jean Anouilh and played on Broadway by Sir Ralph Richardson and Mildred Natwick-it was a brilliantly dressy slapstick satire: a show most wise and cruel when it seemed most raucous and extravagant. As a screenplay-written by Wolf Mankowitz and directed by John Guillermin-Anouilh's fine-feathered strutter has been saponified, caponified, shorn of its more splendid plumes of wit and stuffed with a mighty chunk of supererogatory...
...light touch to win out over the spotted truth, Marie-Paule's career needs more amusing variety, or she herself needs a sense of humor, or Playwright Marceau a livelier wit. Yet, in addition to piquant staging and bright performances, notably by Actress Gordon and Mildred Natwick, The Good Soup has its own kind of interest of succeeding with the ice rather than the champagne, and shows character for preferring a measure of flatness to falsity...