Word: navajos
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Dates: during 1920-1929
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...feels sorry for Richard Dix in this picture for as Wingfoot, a Navajo chief's son, he obviously attempts to save the weak plot by good acting. Gladys Belmont, as Corn Blossom, princess of a tribe opposing the Navajos, and incidentally a newcomer to the screen also does a fine piece of work...
...teepees, wagons, automobiles, or lounging through the streets of Lawrence, were many famed chiefs and their followers- Chief Bacon Rind and his Osages, John Quapaw, and his Quapaws, White Buffalo (with pink ribbons in his albino locks) and his Cheyennes; many a Comanche, Arapahoe, Creek, Sioux, Winnebago, Ute, Pueblo, Navajo-all to the number of 1,500. Despite the intellectual salutation of Mr. White Calf, the assemblage did not have the air of a racial group gathered around their school as around a centre of sweetness and light. Prime upon the program were a buffalo barbecue and dancing...
...took Rosamond and the professor's wife abroad; St. Peter escaped the jaunt with difficulty. He edited Outland s diary of the year in the cliff city, wrote a foreword and lay through long thoughtful evenings on his old box couch, covered with Tom's Navajo saddle-blanket. There was a high wind the night he had a cable from his returning wife, blew out the gas in the leaky heater. St. Peter smelled the room filling and wondered if he was obliged to save his life, now that it seemed so completed. He thought...
There Lou left him. with the little Welsh groom whose lunar spiritual isolation had mastered not only the horse but, momentarily, the stony Mrs. Witt. Lou went on, into New Mexico, with her mother and their other groom, a half-breed Navajo from Arizona. The latter, detached, impassive, had seemed more than human back in England; but here, with dusky squaws about, he could be seen as himself, stupid, ratlike, sexually predatory...
...painting, a collection of bicycle parts, window panes, scraps of roofing material, were all part of an exhibition of modern Art in Berlin, free from all limitations of jury. The kult room was the heart of the exhibition. A sign, "Keep off the Tapestry," warned spectators off the Navajo rug on the graveled floor. A square white column, carefully off-center, held up the roof. The rear wall consisted of a sheet of plate glass end-on to the room, an "S"-shaped strip of celluloid, all against a background of awning stripes. A little red balloon hung in front...