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Limiting Speeches. The papal Motu Proprio predictably decreed that all public sessions will take place in St. Peter's, where bleachers are now being built in the nave, and that the official language of the council would be Latin (translators will be on hand to help prelates through verbal thickets). Other procedural decisions: Council members will be forbidden to leave Rome without written permission from the presidential council. Clerics who wish to speak on the floor will present written requests to the presiding cardinal, then wait their turn. "Church fathers," the booklet noted, "are requested to limit their speeches...

Author: /time Magazine | Title: Religion: The Council's Prospects | 9/14/1962 | See Source »

From the entrance, the cathedral's dominant characteristic is simplicity. The ten pale grey, angled walls visible from the entrance are bare except for a simply inscribed rectangular Tablet of the Word on each of them. No windows can be seen, but the entire nave-from the dark marble floor to the fanlike tracery of the roof-is drenched with a multicolored light that draws the eye toward the altar and the huge Graham Sutherland tapestry (in color, opposite) that covers the north wall behind it. From the altar, the source of light is suddenly, almost theatrically apparent...

Author: /time Magazine | Title: Art: From the Ruins | 6/1/1962 | See Source »

...More than 2,000 sq. ft. of glass move toward a brilliant central mass of golden light. Set deep in its stone framework, the window has a different appearance from every angle. From directly below, all that is visible is a hazy radiance in the air; from across the nave, the light seems to burst in as though propelled from the outside...

Author: /time Magazine | Title: Art: From the Ruins | 6/1/1962 | See Source »

...cathedral's chapels have specific roles in both design and function. The Chapel of Unity, across the nave from the baptistry window, has a floor of intricately designed marble mosaic by Sweden's Einar Forseth and a ceiling arched to the shape of a Crusader's tent. To Spence, it is the heart of the cathedral's theme of unity. In another corner, the Chapel of Christ the Servant looks out through plain windows on the reality of grimy Coventry below, attempting to project the cathedral into Coventry's workaday world. Near by, the Chapel...

Author: /time Magazine | Title: Art: From the Ruins | 6/1/1962 | See Source »

Gothic structural technique, Nervi claimed, was so perfectly suited to its ends that, using the same materials, modern engineers could not "introduce important modifications with out at the same time destroying the main anticipated result, Le., to cover stably the large central nave...

Author: By Michael S. Gruen, | Title: Nervi Ties Technique to Aesthetics, Urges Simple Style in Architecture | 4/13/1962 | See Source »

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