Word: nazi
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Dates: during 1990-1999
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Families, Museum Struggle Over Schiele In a move that rocks the art world, a Manhattan DA blocks return of two paintings that are suspected Nazi loot...
...material that her father deemed unsuitable, from Anne's criticisms of her mother to her musings about sex. The Broadway play, written by the husband-wife screenwriting team of Albert Hackett and Frances Gooodrich (It's a Wonderful Life), prettied up the diary even more, downplaying specifics of Nazi crimes against the Jews and recasting the story as a universal tale of suffering and hope. The Hackett-Goodrich version supplanted an earlier, more faithful adaptation written by Jewish novelist Meyer Levin, which was rejected as not commercial enough...
...years, the Titanic tragedy has spawned a dozen or so film and TV adaptations. A silent one-reeler, Saved from the Titanic, was released just one month after the event and starred an actress who had been onboard. There was a Teutonic Titanic, a Nazi-financed epic featuring an imaginary German hero. The 1958 British A Night to Remember is still revered for its balance of newsreel realism and humanist pluck. But diving into crowded waters is James Cameron's M.O. Except for The Terminator and The Abyss, all his films have been sequels or remakes, each grander and pricier...
...with that caveat in mind that a viewer will have to approach Bent, a reworking of the 1979 Martin Sherman play which treats the persecution and internment of gay men in Nazi Germany. Handsome and likable but startlingly self-centered, playboy Max (Clive Owen) regularly hurts the feelings of his young lover Rudy (Brian Webber) by sleeping around with other men. But one night Max picks up the wrong soldier at a club, and the next morning the Gestapo appears at their door. On the run from the S.S. for two years, Max and Rudy are finally captured...
...consisting either entirely of dialogue, or of silent, slow and repetitive motion--there's little action and much less spectacle. And, since most of the movie's lines are delivered either in a hyper-dramatic fashion or in the suppressed, hissing stage whisper forced on the characters in the Nazi camp, it's difficult for the actors to convey much variety in the dramatic register of the dialogue...