Word: nazi
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Dates: during 2000-2009
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...York City. By exaggerating or minimizing his subjects' surroundings, he crafted impressionistic gems--such as the 1959 portrait of master builder Robert Moses, above, a giant against the Manhattan skyline that he helped to shape--that suggested his sitters' personalities. In 1963 he infuriated German industrialist and alleged Nazi collaborator Alfred Krupp with an intentionally demonic portrait. "As a Jew," Newman said, "it's my own little moment of revenge...
...network of pro-Israel groups control policy, critics say, evokes stereotypes of a Jewish conspiracy.Dershowitz wrote that claims by Walt and Mearsheimer “are contemporary variations on old themes such as those promulgated in the notorious czarist forgery, The Protocols of the Elders of Zion, in the Nazi and America First literature of the 1930s and early ’40s, and in the propaganda pamphlets of the Soviet Union.”Walt and Mearshimer explicitly reject anti-Semitism, emphasizing that the lobby is not all Jewish nor are all Jews part of the lobby. Their article...
...place like this, words fail. In the end, there can only be a dread silence-a silence which is itself a heartfelt cry to God: Why, Lord, did you remain silent? How could you tolerate all this?" POPE BENEDICT XVI, at the Nazi death camp Auschwitz during a visit to Poland, the birthplace of his predecessor John Paul...
...place like this, words fail. In the end, there can only be a dread silence--a silence which is itself a heartfelt cry to God: Why, Lord, did you remain silent? How could you tolerate all this?" POPE BENEDICT XVI, at the Nazi death camp Auschwitz during a visit to Poland, the birthplace of his predecessor, John Paul...
...wouldn't guess that We Are On Our Own is Katin's first graphic novel. Having illustrated children's books and worked in animation, Katin has had a lifetime of practicing her visual narrative skills. Working mostly in graphite pencil, the monotone palate evokes the grey days of Nazi rule in a past desaturated of color. Instead, Katin uses shading to create detail and rich texture. She keeps the layout simple, with rarely more than six panels per page. When the action heats up, characters will burst out of their borders, making the page more dynamic...