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...Nazi writer quoted by Robert J. Lifton in The Nazi Doctors: Medical Killing and the Psychology of Genocide

Author: By Joe Ford, | Title: FOCUS: Bigotry and the Murder of Terri Schiavo | 3/25/2005 | See Source »

...after an impolitic comparison of Stalinist Russia to Nazi Germany, Kennan retired from the government and joined the Institute for Advanced Study in Princeton, N.J., where over the course of the next 50 years he published books devoted to twentieth-century diplomatic history. Two of them—“Russia Leaves the War” (1956) and “Memoirs: 1925-1950” (1967)—won both the National Book Award and the Pulitzer Prize...

Author: By David F. Hill, CONTRIBUTING WRITER | Title: U.S. Diplomat George Kennan Dies | 3/22/2005 | See Source »

...movie, all of which Brooks created. "It's very important for the world to see The Producers in its glory, with MATTHEW [BRODERICK, left] and NATHAN [LANE, right]," who played Leo Bloom and Max Bialystock on Broadway, says the comic. But when it came time to cast escaped Nazi playwright Franz Liebkind in the new film, "I thought, Who's manic?" says Brooks. Enter WILL FERRELL, center. "There was something dangerous and mad in his eyes," Brooks explains. If it works, Ferrell may join the gang for Brooks' next version of The Producers. "What do you think we should...

Author: /time Magazine | Title: Leo, Max and Who's That New Hotsy-Totsy Nazi? | 3/21/2005 | See Source »

...difficulty in proving whether such novels are implicitly pro-Nazi or anti-Nazi, Ryan admitted, is that under Nazism no explicit literary dissent in Germany was possible. Authors instead could either physically exile themselves or undergo “inner emigration,” a retreat into one’s own artistic world to combat the horrors of the world without. Modern readers must judge the validity of many authors’ post-war claims that their work under Hitler contained subtexts of anti-Nazi dissent, even when the texts themselves suggest otherwise...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: Fascism's 'Flaming Motor' | 3/18/2005 | See Source »

...Nation, Miller explained, is the first installment of a trilogy in which he seeks to show that the nation-state is, at least in part, a cinematic creation. He has yet to begin work on the second installment, which will grapple with Leni Riefenstahl’s 1934 Nazi propaganda picture Triumph of the Will. The third part, he said, will most likely remix French filmmaker Abel Gance’s intensely patriotic Napoleon...

Author: By Daniel J. Hemel, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Spooky Rebirth Strikes Sanders | 3/14/2005 | See Source »

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