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...evaluates his professional past as well, from the vantage of the present. Under the service of a new American employer in the "real time" of the movie, Mr. Stevens reflects on the character of his former employer, Lord Darlington, a man involved with the policy of appeasement and the Nazi party, whom Mr. Stevens had trusted and served completely. The two objects of Mr. Stevens' reflection, the personal and the professional, are shown to have conflicted at several points in Mr. Stevens' past, a time in which he invariably prioritized the professional. Now, though the search for a new housekeeper...

Author: By Bernadette A. Meyler, | Title: Of Lords and Lost Glory | 11/11/1993 | See Source »

...totalitarian government creates whole subclasses of clones designed expressly for particular tasks. As Annas pointed out, there are better ways to create a crack Navy SEAL team or an astronaut corps than to clone the appropriate mix of sperm and egg and wait 20 years. "Maybe if this were Nazi Germany, we would worry more about the government," said Annas. "But we're in America, where we have the private market. We don't need government to make the nightmare scenario come true...

Author: /time Magazine | Title: Cloning: Where Do We Draw the Line? | 11/8/1993 | See Source »

This week the Harvard Film Archive brings us "Docteur Petiot," the chilling, fact-based story of a physician turned serial killer during the chaotic days of Nazi occupation in Paris. Seamlessly uniting art and reality, Dr. Petiot borrows elements of documentary, horror and black comedy to unveil the evil of the "good doctor...

Author: By Caralee E. Caplan, | Title: Petrifying `Petiot' | 10/21/1993 | See Source »

...article in The Crimson, many students were outraged. Westfield student government secretary Kelly O'Neill wrote in an editorial, "When something is offensive or slanderous, it should not be said or printed." Another student, Owen Broadhurt, likened it to printing an ad for "the Ku Klux Klan, American Nazi Party, D'Aubisson death squads, or similar hideous miscreants...

Author: By Tehshik P. Yoon, | Title: Topless Liberalism Running Wild | 10/20/1993 | See Source »

...avalanches, crossing deep crevasses on a rickety ladder, radiating alpine glamour. She directed and starred in two innocent, ravishingly visualized fiction features, The Blue Light (1932) and Tiefland (shot during World War II but not completed until 1954). Early in the Hitler regime she assembled two short films about Nazi functions and officials. But it is her feature documentaries that even today make her noted and notorious. Triumph of the Will (1935), a record of the sixth Nazi Party Congress at Nuremberg, starred Adolf Hitler. The two-part Olympia (1938), a record of the 1936 Berlin Games, starred Jesse Owens...

Author: /time Magazine | Title: Riefenstahl's Last Triumph | 10/18/1993 | See Source »

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