Word: nazis
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...Erecting a monument to one of history?s most reviled figures is only part of Junker's dream. In doing so, he also wants to teach the truth as he sees it: that Hitler did not start World War II and did not despise other races; that the Nazi regime was not a stifling dictatorship; and that there was no extermination of the Jews. If anyone suffered, Junker says, it was the Germans and the rest of Nazi Europe...
...that the grand opening set for June 25 was canceled on Thursday after police warned that Junker, and his shrine, could be targeted. Sugar Creek Township Chairman Loren Waite calls Junker ?a mixed-up old man ... I hope he?s just confused.? Jewish and anti-hate groups warn that Nazi sympathizers have been known to populate the heavily German areas of southern and southeastern Wisconsin, and decry Junker for rewriting history and teaching evil...
...environmental portraiture"; in New York City. By exaggerating or minimizing his subjects' surroundings, he crafted impressionistic gems-most famously, a 1946 portrait of Igor Stravinsky in which a piano lid helps form the shape of a musical note, below-that suggested his sitters' personalities. In 1963 he infuriated Nazi-German industrialist and alleged Nazi collaborator Alfred Krupp with an intentionally demonic portrait. "As a Jew," Newman said, "it's my own little moment of revenge...
...DIED. Anthony Marreco, 90, British barrister and human-rights campaigner; in England. In 1945, Marreco was recruited to the small British legal team prosecuting Nazi war criminals at Nuremberg. During his year at the trial, Marreco became acquainted with the surviving Nazi leaders-including Hermann Göring and Rudolf Hess-and was stunned by the weak defenses they offered for their terrible crimes. In the 1960s, Marreco helped found Amnesty International, and in 1968 published a scathing report for the organization on the maltreatment of political prisoners by Greece's military junta...
...York City. By exaggerating or minimizing his subjects' surroundings, he crafted impressionistic gems--such as the 1959 portrait of master builder Robert Moses, above, a giant against the Manhattan skyline that he helped to shape--that suggested his sitters' personalities. In 1963 he infuriated German industrialist and alleged Nazi collaborator Alfred Krupp with an intentionally demonic portrait. "As a Jew," Newman said, "it's my own little moment of revenge...