Word: nberg
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Dates: during 1940-1949
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Beautiful Promise. But, wrote Ansermet, Stravinsky and Twelve-Toner Arnold Schönberg had added two bands of color to the spectrum of western music, "ultraviolet and infra-red." Among other hopefuls, "Alban Berg [TIME, May 31] has written pages of overwhelming beauty. The hour of Berg will come . . . Bartok is a symbol of our times. He is one of those who search groaningly, even though he may appear to be smiling. His last works are the most beautiful promise that modern music has offered...
...innovator than Jean Sibelius, now 82, and Richard Strauss, 84, both of whom barely got into the century musically. Prokofiev and Shostakovich are both deep in Stravinsky's debt. Only one other living composer seriously challenges him as a contemporary influence: dour, 73-year-old Arnold Schönberg, spiritual leader of the atonalists, whose theoretical contributions are great, though his output is small...
Musically, she admits that Bartók, Schönberg and the atonalists are not her dish, although she has always been willing to help pay the grocery bills. Some of her friends claim that at concerts of jangling modern music, she turns off her hearing aid when the going gets too tough...
...which all twelve tones of the chromatic scale (the white & black keys in an octave on the piano) are arranged in a "row" in a highly formalized pattern. "Atonal" ( a term often loosely applied to Schönberg, in spite of his protests) means music in which the traditional laws of consonant chords are not observed. To most untutored ears, both sound like hell...
...four lectures last week at the University of Chicago, Schönberg tried to explain, among other things, what his music was up to. Sample: "I always attempted to produce something quite conventional, but I failed and it always, against my will, became something unusual. How right, then, is a music lover who refuses to appreciate music which even the composer did not want to write...